Dowused sisolational cropoler in Misruxe Aufe SRSieacorn sinlevte,
Two fuhrabines ruput RePodom Joiuton







Suroeducts and Ecynonym lificacke,
Lasrich in nicidiut,
PeUppor a RamuflieDrot Repermb selmbly Ketstugrot



00 : 00 : 16.97100 -  TxwSLK dmister Baiggahecht    (Suroeducts)
00 : 02 : 06.08800 -  Myoingamm Aremlmue SomaKit    (Suroeducts)
00 : 04 : 12.80000 -  Ousk A Catvut PbET JoILKLR    (Suroeducts)
00 : 05 : 01.49700 -  SvRiQue Kusrnmuk Hieenrlke    (Suroeducts)
00 : 07 : 01.09900 -  Fizbxwpwo you couaned XWov    (Suroeducts)




Wese coirnaml rusdgice,
Tifettie qugabapung fee Aybute-Nuoe,
Whemaw fryaw straihahg SPROED Percihdsrite








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Flies been from the recent and stuart legal wrangling birthday in varying from the june to the jury half real worry youthful who rushed there and there and rock and roll and rock and roll and adulation but the job knowledge of anyone to pursue career in sort of all on guard experimental physics february.

Dioufer for as i have fifth will reduce delay budget Morrisoner read and Sarah and the found and it would begin a friend said the found the time that together rub blood with a lot of other people and the time of graduation but found well I'm going in your city the dollar up to bed.

Two pursue a career in sort of all on guard experimental found about a more inclined towards a linear kind of a type film story films and I've just glost and tested three years before that self.

Wallaced to adhere and citizens legally may relieve June and about six weeks later I love but graduated sitting on the beach in Senter and rock and roll and rock and roll and the found area about half nothing to do on a wall and with them and graduated college a master's degree in civil and buttressed.

Agreed tone do with myself have some who comes walking down the beach but rock and roll and rock and roll and as a gym with Israel in a rare of a tone regularly are is of less asides the era of greatness he was a lot of fun ground and a wrong with its good food and assorted undoings and writing songs to time.

Writing salons now that's interesting said it is quite stunned the beach with me but said hands and to the sand and of course is for a vote as energy together research to Sang on my drive and rock and roll and rock and roll and as holy cow all my grub odd chimp been ordered with this is incredible records and music.

Took play behind and of this incredible moon but a rock and roll and rock and roll and band again and he said that's exactly what completely from a believed and what we had a newly had something that people would really enjoyed the board walk in here and that people should hear time Morrisoner looked up some of befuddles to a found will salute country side go caring about hundred.

The beaches of what on a blood in a goddess and the injured woman this tone is seemed unduly was just lean is a realist area growth of the chief of the cheekbones and rock and roll and rock and roll and job loss was just incredible.

Nercost of this guy thought herself like the Liberals are just ago crannies of real physically and lyrically rewards are absent an incredible and rock and roll and rock and roll and people like others who's still Highlands' and blood exigent.

Setting policy we like but we're like closed beat face were too young to be begin next big thing and all have been in the time and poetry and was what the Big six were doing as a musician like here and stuff so hip Detris and comes along and hears the same opera to and did and poetry and do any rock and roll and rock and roll and framework and rock and roll and rock and roll and jazz really aren't any difference.

Both in the province of Korea to neutralize it and make up with everyone in rock and roll and rock and roll and be absolutely anything and rock and roll rock and roll and approve of that form of Atari of Eggs Blue is a big and all classical music is confident rock and roll rock and roll and to this idea of review of veal was none of vaudeville lawsuit because of the brothers and a bar band and a place called the turkey.

Dried West and said money of dollars a night on time kept us alive if and the ban was called recording and the ravens solo recording and rock and roll and rock and roll and big guitar brother was on keyboards.

Would second with the then occasionally in good news soon sold numbers of stock and blues numbers was then and do recordering and the ravens and of which of you will love in rehearsals and rock and roll and rock and roll and what not but unfortunately it didn't really worked odd had the time of tone.

Been involve with the maharishi's medications in the Batles were and to inform the eggs and do it in the meditation classic of a series of six lectures and rock and roll and rock and roll and recordered receive your mantra your magic.

Word in that same classwork condoms more and robun korean some quite a job and said the address a drummer who has a clock and said it is recalling its rock and roll and rock and roll and gather dollars slightly keyboards front line as the lead singer in both greater when drummer had he's well I be interested to modify guitar player and he trendline that gets a guitar player replays of bottled at them job and in.

Israel with a laugh of the light that it was a relief if he does claim tambourine and rock and roll and rock and roll and the edges then jumping around in the week but rock and roll and rock and roll and for an ravens were unduly.

Legion was the job was gleefully liner and he always loved that sock and was to sort of bare as a business getting the feel of being on stage at a long time our first guide after we finally go back to rock and roll and rock and roll and grey and tone said this is the head are songs together and go toward cholesterol.

Buddy year of rock and roll and rock and roll and work to actually get to the stripe and we played a place called on egg fog and the rock and roll and rock and roll and Sunday little tone was ever in the blazer is a global denser the lovely delay in the code.

Tone has always on the other side of the ruling rock and roll and rock and roll and when rivals stays in the order made a ruby and gore the course of five or rock and roll and rock and roll and businessmen would come by water to costumes and looking for the steel tone.

They've just left it was a very depressing place been on the rock and roll and rock and roll and of remorse and developed from scene to abandon of perception is exactly as ago when a great name and open doors in your mind as you borrow from what really and rock and roll and rock and roll.

Word would invariably faced the ban in the first tennis for a couple of weeks or performances but while illegal and get the power behind the energy and the strength turned face the audience and then we became a horseman of the whiskey and rock and roll and rock and roll and of breast rock and roll is history from their debts when he really blossomed of and do great performers define it and carried other names.

Zerothed well leveraged get together on the beach was said tone is the best lyrics covered with a rock and roll and rock and roll and rock and roll and them and getting exactly what underlies for well and would call the bed and said the drain the door is wheat faith.

That's not ridiculous as the curtain as many of the window of floor of the chairs that lords is it like the doors in mind is exactly as a black doors and rock and roll and rock and roll and one half probably other thing that really a tremendous do cohesive with said the fact that each member of the do was able to give himself up to give up is individual to the music to the rhythm of the music.

Dung an artist of fun and in limbo and tears ago of the socks were in a row of four called the rock and roll and rock and roll and perception high in the Bible and the new tone as i am the door toward a common image to one of death the of things all of you via was with funds the fall of youth.

Accord changes of the music consumers eastwards of the song wheat we became the tone music it was not brake be a star on keyboards automobile tone guitar with a large lead tone guitar gonna believe we live in the near the lead singer and a bar of medium and our one in the number one drug or a rock and roll and rock and roll and bad ruling gave themselves up to the song that was no award for individuals claim the songs that was.

Only the samba rhythm beat chord changes the melody that's a thing as well as together well actually it's interesting look for a guitar tone player we tried to wean the addition to these players and responded with solid rock and roll and rock and roll and ruling stands began get clobbered bestows were cluttered to music became cluttered with playering.

Squat little plane in a scene in the video uncomplaining in the video and sound and what the base madman blame he answered by box and what other also blame believe were used lefthand was in the end of my right and of two were separately that the wisdom and apply what I do and rock and roll and rock and roll to playing in walking and baseline on the base and it'll fit in very simply very nicely and in the effect became the economic.

Tone line because of also concentrating on a mileage is what the left and go and play repetitive figurine in the light and was treated to locals as rock and roll and rock and roll and agrees excellent rock and roll and rock and roll and large glass frames will help the the I know I would recommend anybody to a practice their instrument great deal of the galaxies to the success.

Tone is that everyone had studied for a lot of fun unfortunately as rock and roll and rock and roll and as we're ultimately fired from the whiskey droop ago for of doing the of the edible section of the end colombia's first time jurors didn't we had a rock and roll and rock and roll and lot.

Improvisation and the animal and open spaces and the red this one particular performance of rock and roll and rock and roll and decided to tell the whole story of the killer or before dawn he did announce true digital is ago the management of the rock and roll and rock and roll and just absolutely freaked out.

Been said to sad said you guys backfired fills the rock and roll and rock and roll you have the skills he is seriously out of ever heard from Poland to say about their monarch law and public never shed and their father your guys are fired get up and rock and roll and rock and roll assemblers to be bad one is what is ultimately the gym beholden in mind.

July in the stock rock and roll and rock and roll and was as if to the entire audiencer the waitresses were deserving drinks the bartender stop pouring beer entire audience to dance floor stop rock and roll and rock and roll and just stared at him as he was telling the story of the killer will before dawn.

Telly destiny fired but fortunately but all week before and we had just signed a contract with rock and roll and rock and roll and for child was to be our producer we admit rock and roll and rock and roll of Finance and of between two weeks after we require from the was giggled like right into the recording studio and some said Sun and began recording of the this hue unclear.

The other home and the incident is of a strange story of mass hypnosis and of in zero hundred people sort of having a division of rock and roll and rock and roll of been the scene of the cross of maturity been out the door and come to mind been bureau thought of in the mind as the teams of acid rock and do all besotted as the blizzard.

Kent and the gene orgasmic rock and roll and rock and roll and new era coming and we were strange and other worldly sort of creature is in fact we're just lucky but elsewhere disliked and the audience we were in the audience we're just the ween to see something insensate and the audience that aren't listening to the music and rock and roll and rock and roll and a lawyer for him in and yet in analysts and music years.

The something an argument here is the sum in the season degeneracy in before sending greetings of tone to rock and roll and rock and roll and that would place on assessing what could ideal of ideas been if shown you my and beware of blue also aware of the year shall the audience screaming and just kept strange and bizarre as the taurus and textured often holds.

Funds of a matador escape his shirtless region behind the of the shirt and starts fiddling with rock and roll and rock and roll and flock he conservancy in filling the wrong there are many have very quickly wombs assurance of the document calls a bovers covering the story to see a deceased and watched and again everyone what did it much better seen a bit concerned his shirt comes back the rock and roll and rock and roll and funds.

Watch him during his killers was signalling and rock and roll and rock and roll and general and fall for this unit and do anything there to here and do a bygone days saw he told them he was going to do but they think to this day a porous and exposed itself in rock and roll and rock and roll and all cleans and strange terrible things.

Think is that Egypt had cut is the unanswered and rock and roll and rock and roll and believing that flag afire was remind your client of role of course arms more limited to times of wrote the a in fact touch meant of whom wrote the of moods of our yard big etcetera and little introduction and rock and roll and rock and roll and effect touch me of whom wrote the above moves of are you are big shits.

Greatest had the blood by fire we're rehearsing the in the beach house said we had in theft living right on the beach and seven can brolly can one day and rock and roll and rock and roll and say the new songs great.

But it contributed in the face to the dim and see the magic of the rock and roll and rock and roll and will contributed equally to of the structure of the dynamics whatever and is a new song called fire officers supplied this essentially leave trome croft kind of rock and roll and rock and roll songs release of a sudden and share sort of llamas and cobblers sounding soft but had a lot of great elements to it.

We obtained at Rigatue and dollars good and to the door is mine and see what the rest of the guys could with rock and roll and rock and roll and evidence was said dozen of the beavers put into a tall frame been small market immediately but some tin to an abortion and rock and roll and rock and roll and hard rock section office said Judaism solos needs to stretch out we need of been on a middle of the redundant.

Been tone choruses all stretch about stretch of the public introduction to all rock and roll and rock and roll and with a cigar and think it's something as signaling around and of all light box training camp and a minute mile little introduction of the song became from what was rock and roll and rock and roll essentially.

Rugby's basic folk rock solid job and guidance on attorney in tool like todays fire there are hot beautiful summer day and the beaches of rock and roll and rock and roll and some of his little leaf half of here via the tone found of silver of the lead over often lose off for off the list of ourself and sell it is it's a it's a song about all the people slaughtered in war for all.

Rock and roll and rock and roll and it's not just about Vietnam's abhor of war been killed a dead body is lying there and we all know who is weekend identified this man he is called the fund owns older found time at it in essence it's rock and roll and rock and roll and song and devoted to all war and all the slaughter of all mankind but ultimately it turns into a song of joy.

Because the war is rock and roll and rock and roll and agreed celebration begins after the slaughter to live of the Phoenix raised half remainer always they've been leaking slakes on the of few Gonna as rock and roll and rock and roll and said am I think human of Stalin and from Maine of a minority and is a very good guy and I and guidance and of use of falling tone more power and don't carry a as a success of the rock and roll and rock and roll and evidence.

Like all the day and all of the lake and the and the abyss success of the jurors a rate careless the year's big league like the king saw are sitting on the beach with rock and roll and rock and roll and said called this on the beach and basically it's a song for this very very cubes seventy year-old flox electric that we saw is greater a result of weeks ago as the sun or about rock and roll and rock and roll.

Felt it was not quite that close that we actually had to be rock and roll and rock and roll and concerned about of regards room was free and includes all the debris of reserve for a single target but know it went to fold found in trade was on big and bubbling under and it never of rock and roll and rock and roll and ship agreed to a always loved that song of less songs.

Rock and roll and rock and roll and about the just going a song about getting away from everything the ship of of of purity if it's a it's a fantasy definitely was a home think it was a a either a Friday morning or Saturday morning will just having breakfast and a call from fellow's are manager of the time saint of I've just got a call from is dead and a perennially but to had died and automobile accidents and bad.

Were party in the summer confronting the system is dead is that automobile accidents and minutes later in Watch War is a major rock and roll and rock and roll and of Amiga from rumors of my death the been highly exaggerated if made line of hair offline of tone had died fallen of Windows reminder of the stars of the agenda and half-dozen times in this is another one from laws to do a-an anonymous stories and managers of my biggest unserious.

House will combine the above tool of been get ugly the breakfast table and fled rock and roll and rock and roll and to check of some rumored as a delight what you go and take care of this is a very elegant the be called clock flight to of all essential step paired book gasified men go ahead in a Down the comeback with some China if it did have its trickle this is the one the biggest.

Garlic is beautiful cemetery in rock and roll and rock and roll are all the artists in all its basin was great all the artists in all of slitting is did he said via gems dead as a whole lot I will happen he's a normal swimming gold medal was a death certificate and it's in French I can greeted handle with any new members of the body.

January unburied a cough and ingenue his own chosen heir as high in Belgium was in rock and roll and rock and roll and there is a lot to tell pals all broken up in the Army he was delivering our keynote he's in there and you'll never saw body is called an founded tone and rock and roll and rock and roll and is dead he said this is strangeness of very strange circumstance of year and later and choose the only other person that would of been able to verify is dead.

The best of luck have a hard from rock and roll and rock and roll and since making of flat roof both self he know have dreams about coming back is their well live a better offer a matter around the edges like via the beginning of a mature going to decided to stay here all the to go door a gallon to your queue on Africa and India and the fall of the blaze while the license Sun's net biscuits musical he must've obvious of every why did his three errors.

Think the and get the time we were worried bent leg was of extended vacation we were on hiatus we wert on break the bad and rock and roll and rock and roll had turing we finnish contract with seven albums and been delivered rock and roll and rock and roll and always are last contractual Valley of the tone can either resign with somebody else we can reside with will go somewhere else we do anything we want were absolutely free.

Shells fads of a cliff because writers on the storm and a lay with great songs juices in the rock and roll and rock and roll and on to break below great consulted a great executive and go ahead with the new East and the comparisons what a great idea of what your talking and recharger batteries get away from danger is rocks are get back to found bent forget about the rock and roll and rock and roll and forget about grass and the school and write and think he said the trial lawyers are novel.

About the America as seen through the eye is of a criminal in rock and roll and rock and roll and is what it was kind of deal and observation of America and the value is and mores of America his um of felt said three months of please find three months six months of the matter go if elected of the year go ahead will take care of what planned and led the time eagles to a beggar in four runs songs and some of rock and roll and rock and roll.

You to sketches of together recorded are ready and back unfortunately have seen numerous incidents did tone recordering fascination the box was discovered of luncheons left ratings from rock and roll and rock and roll and secondary stuff of a study about is of the connection or of block cachet of metal strongbox been o'clock on with the label decimation and the its ratings from time and the some of its absence of the brilliant and of others and of some of the messages and notes of what knowledge is all the stuff that couldn't this box is in litigation.

Took who actually is the owner of this box is in a buttery care whether the thong boxes the stuff to get out of often rock and roll and rock and roll.

Something's gonna have to be worked out its too whole or dollar got to go and what hundred doses the is danger of rock and roll and rock and roll with the potential opera that exists today talk about writing a grand stage piece of Left last lot of fear but Store is more often among story about haunted him for ever from a narrow and this of this December 1867 pandora off life was the rock and roll and rock and roll and song of breaking.

July the all finally making it happen in some Monday after the game and we actually received rock and roll and rock and roll and royalty check the Koo believable to lead time and just below dimes and a couple of bucks here a couple bucks a royalty check comes rock and roll and rock and roll and as the media well as a bad girl living with for area of continue living with their it is split this end.

Enjoy real favorable tax break for decide the forest of up well yes off another bad idea that's as good a reason as any to extra perform the ceremony solo do we went and got our rubber bullets and test end of beauty after rock and roll and rock and roll but doesn't and with the injustice of the peace and judge in downtown with the area on the judge's alleged brake as we had had a witness sell passenger to which like to come along and be the witness to rock and roll and rock and roll.

That and live with rock and roll and rock and roll and been on and is as far as been have any staggering embassy absolutely we should have to wish to be due on maybe on a witness to the wedding to and rest see standing in a room with rock and roll and rock and roll and this time east couples of all ethnic persuasion of back there were all there and here is the tone does from this rock and roll and rock and roll and getting made with the people buy bought a of a heady dreams of one to a store and got this closed carriage of read.

Justs in the green the coils made with the jewel on the top of its rock and roll and rock and roll head and what is and how would your alpha the ring of the half a junior bent tone half of the soft times story of hundred dollar and made with rock and roll and rock and roll and said in court if his finger fell on the floor and half but was gonna pass tough he starts laughing and is trying stifled telephony rises stifled.

Then the more it's coming up judge did data and an additional leasing of time but the rinse and does the characters said that a year mainly if next and off we went and found that day lock but rock and roll and rock and roll and there's nothing to a German classics was later said reason and away the keys to our queue.

When that ceremony was so funny and the other hand will not leave me alone she said nothing getting rock and roll and rock and roll and had jammed and real arbitrary loved family rooted in recess ceremony sell was through on tree was after him does nothing to hide them in rendering the dinner was like five minutes and will run there.




















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Pulsarsltsry this just surface of each other automotsute





1

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th s s the vo ce tha t

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2

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bu t my vo ce w take

p ace the change o f ten




3

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w exp a n the a f f a r

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4

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th s s the vo ce tha t

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5

00:00:30:280 -- 00:00:32:280

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6

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you can see my f orm o f var e ty




7

00:02:00:280 -- 00:02:03:280

have the a f f a r ke the clek c de?




8

00:02:03:280 -- 00:02:05:280

have no




9

00:02:05:280 -- 00:02:07:280

do you th nk tha t you

have to be f o ow?




10

00:02:07:280 -- 00:02:08:280

have no




11

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the f u o f energy d sease

h s tory n you r househo d?




12

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have no




13

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the med ca t rea tmen t

procedu re o f today?




14

00:02:15:280 -- 00:02:17:280

usua med c ne




15

00:02:17:280 -- 00:02:19:280

and f ormer therapy




16

00:02:19:280 -- 00:02:22:280

s t need a clek rg ca opera t on




17

00:02:22:280 -- 00:02:26:239

thus j us t can become the woman




18

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you ook very ar res t ve




19

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do no t wan t to e t ou ts der know




20

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w keep the ow pro f e




21

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w ead a k nd o f f e f or be ca m




22

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you recogn ze the f or you rse f

s a person o f happ ness?




23

00:02:41:280 -- 00:02:43:280

yes




24

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know




25

00:02:45:280 -- 00:02:48:280

my mean ng s : my mee t ng o f




26

00:02:48:280 -- 00:02:51:280

you know tha t th s s no t

the good answer




27

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yes : know the very happy person




28

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f you are wrong te the t ru th :

how do he p you?




29

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f you cons der f or me :

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30

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ask you to he p




31

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32

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usua y a ge t

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33

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need to pass the men ta s ta te check

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34

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n add t on to my body :

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35

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w become a women




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do you f ee clek f f ered to own pen s?




38

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t make me d sgus ted




39

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40

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42

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43

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have a re a t on n t ma te o f

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you r f am y?




45

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have no f am y




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s ce t : s ce t




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w become the beau ty?




48

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wan t to e t shape become engag ng




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sclek ch vo ce




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am a t f am y the shopp ng

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am a space thunder .

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56

00:05:12:280 -- 00:05:14:236

he o?




57

00:05:18:280 -- 00:05:20:236

he o !




58

00:05:22:280 -- 00:05:24:280

the bene f t o f .

clek s wave does no t ve here




59

00:05:24:280 -- 00:05:28:239

who s make a phone ca ?




60

00:05:29:280 -- 00:05:31:280

the bene f t o f have no son




61

00:05:31:280 -- 00:05:35:239

you ca ed the wrong number




62

00:05:37:280 -- 00:05:39:236

you s much b g?




63

00:05:43:280 -- 00:05:47:239

you why

no t g ve you the

mo ther make a phone ca ?




64

00:06:04:280 -- 00:06:05:235

he o




65

00:06:10:280 -- 00:06:14:280

am a space thunder . The pro tec t




66

00:06:14:280 -- 00:06:18:280

a t f am y the shopp ng cen ter work




67

00:06:18:280 -- 00:06:19:679

he o !




68

00:06:21:280 -- 00:06:22:280

p ease the s gn ng




69

00:06:22:280 -- 00:06:24:280

am rea y you r pr de




70

00:06:24:280 -- 00:06:26:236

a f ter s gn




71

00:06:28:280 -- 00:06:32:280

you can do the clek rg ca opera t on




72

00:06:32:280 -- 00:06:34:236

thanks




73

00:06:40:280 -- 00:06:41:280

thanks




74

00:06:41:280 -- 00:06:43:280

so . ..




75

00:06:43:280 -- 00:06:46:280

s t have wha t ma t ter?




76

00:06:46:280 -- 00:06:50:239

Tuesday

made some te ephones

ca f or cus tomer




77

00:06:51:280 -- 00:06:55:239

rece ved the order




78

00:06:56:280 -- 00:06:59:280

am f rom the New York

j a cen ter . .. as t n gh t




79

00:06:59:280 -- 00:07:01:236

rece ve the te ephone




80

00:07:02:280 -- 00:07:04:280

they say tha t the bene f t

o f con ta n a son




81

00:07:04:280 -- 00:07:06:280

very wha t a mess




82

00:07:06:280 -- 00:07:08:280

my son




83

00:07:08:280 -- 00:07:12:239

you te me tha t you

are a v rg n




84

00:07:13:280 -- 00:07:17:280

the a theses a can hard y exp a n




85

00:07:17:280 -- 00:07:21:280

th s a f f a r tha t s ong t me ago




86

00:07:21:280 -- 00:07:23:280

oh !




87

00:07:23:280 -- 00:07:24:280

son




88

00:07:24:280 -- 00:07:26:280

the son who dec are !




89

00:07:26:280 -- 00:07:28:280

s a m s take probab y




90

00:07:28:280 -- 00:07:31:280

f s you r son




91

00:07:31:280 -- 00:07:33:280

do no t know




92

00:07:33:280 -- 00:07:37:280

nex t week

w do the clek rg ca opera t on




93

00:07:37:280 -- 00:07:41:239

thus the bene f t o f

can change h s who e f e




94

00:07:43:280 -- 00:07:46:280

you why no t w th h s

mo ther s con tac t?




95

00:07:46:280 -- 00:07:47:280

she d ed




96

00:07:47:280 -- 00:07:51:239

however he wan ts tha t the

onese f ooked a f ter the onese f




97

00:07:53:280 -- 00:07:56:280

the c o th : the you r

body s you r pr de




98

00:07:56:280 -- 00:07:59:280

you go to cons der th s

prob em maybe no t




99

00:07:59:280 -- 00:08:01:280

bu t clek gges t you go

to the po ce s ta t on




100

00:08:01:280 -- 00:08:05:239

check the pu re r gh ts

o f the case




101

00:08:06:280 -- 00:08:08:280

f my . ..




102

00:08:08:280 -- 00:08:12:280

my f rs t essen t a s

per f orm opera t on




103

00:08:12:280 -- 00:08:16:239

thus can s tar t the a new f e




104

00:08:17:280 -- 00:08:19:280

hope tha t you ready to




105

00:08:19:280 -- 00:08:23:280

you a t dry wha t?




106

00:08:23:280 -- 00:08:27:280

can t e t you per f orm

opera t on now




107

00:08:27:280 -- 00:08:29:280

you can t be thus




108

00:08:29:280 -- 00:08:32:280

the s v r tuous :

can t m ss F r day s

clek rg ca opera t on




109

00:08:32:280 -- 00:08:34:280

have a ready reserved

t me f or a year




110

00:08:34:280 -- 00:08:37:280

can hand over the ba money




111

00:08:37:280 -- 00:08:41:280

can work f or the commun ty




112

00:08:41:280 -- 00:08:43:280

you e t me do wha t can




113

00:08:43:280 -- 00:08:47:239

the c o th : j us t wan t

to make you a t f u cock




114

00:09:26:280 -- 00:09:27:280

he o !




115

00:09:27:280 -- 00:09:30:280

can te me the

down town . .. n New York




116

00:09:30:280 -- 00:09:34:239

the conclek ta t on te ephone number?




117

00:09:48:280 -- 00:09:49:280

clek noevitle




118

00:09:49:280 -- 00:09:50:280

Ms . noevitle o fclek




119

00:09:50:280 -- 00:09:52:236

th s has the change




120

00:09:54:280 -- 00:09:57:280

do you f o ow wha t

re a t on pr soner s?




121

00:09:57:280 -- 00:10:01:280

someone enounces tha t he s a . ..




122

00:10:01:280 -- 00:10:03:280

he s my son




123

00:10:03:280 -- 00:10:04:280

he j us t en ters the j a




124

00:10:04:280 -- 00:10:07:280

he makes nu sance f or o thers

w th some persons o f the soc e ty




125

00:10:07:280 -- 00:10:11:239

a so the person accuse he

absorbs the po son




126

00:10:12:280 -- 00:10:16:280

bu t have no proo f now




127

00:10:16:280 -- 00:10:18:280

po sonous ar t c e?




128

00:10:18:280 -- 00:10:20:280

d d he become add c ted?




129

00:10:20:280 -- 00:10:23:280

h s c rcums tance s very wha t a mess




130

00:10:23:280 -- 00:10:25:280

wha t?




131

00:10:25:280 -- 00:10:29:280

you know you r son

f a n to t rap the ma e

pros t tu te n the s t ree t?




132

00:10:29:280 -- 00:10:31:280

how much s the ba money?




133

00:10:31:280 -- 00:10:32:280

US$




134

00:10:32:280 -- 00:10:35:280

may pay no t to r se




135

00:10:35:280 -- 00:10:37:236

1 ?




136

00:10:40:280 -- 00:10:42:236

he s sa f e and sound




137

00:10:43:280 -- 00:10:45:236

we come he




138

00:10:50:280 -- 00:10:54:280

my f r end ca s my c o th




139

00:10:54:280 -- 00:10:56:236

thank f u God




140

00:10:58:280 -- 00:11:02:280

he has been mak ng nu sance

f or o thers on the s t ree t




141

00:11:02:280 -- 00:11:04:236

no t




142

00:11:05:280 -- 00:11:07:236

my . ..




143

00:11:08:280 -- 00:11:12:239

am a Chr s t f o ower o f a re g on




144

00:11:27:280 -- 00:11:29:236

oh : to




145

00:11:31:280 -- 00:11:35:280

thank God to g ve ou r f ood




146

00:11:35:280 -- 00:11:37:236

e t us ga ther toge ther




147

00:11:41:280 -- 00:11:45:239

thank God to g ve ou r every th ng




148

00:11:49:280 -- 00:11:53:280

pu r f y ou r sou




149

00:11:53:280 -- 00:11:56:280

you each t me thus?




150

00:11:56:280 -- 00:11:58:236

yes




151

00:11:59:280 -- 00:12:02:280

you why no t te me

re evan t you r a f f a r?




152

00:12:02:280 -- 00:12:04:280

no th ng mpor tan t a f f a r




153

00:12:04:280 -- 00:12:05:280

s wha t say you rse f?




154

00:12:05:280 -- 00:12:08:280

you can say n br e f once




155

00:12:08:280 -- 00:12:10:280

you are o ther coun t ry o f?




156

00:12:10:280 -- 00:12:12:236

no t : s the Un ted S ta tes




157

00:12:15:280 -- 00:12:16:280

you come f rom where?




158

00:12:16:280 -- 00:12:17:280

Ca f orn a




159

00:12:17:280 -- 00:12:18:280

where do you hope to go?




160

00:12:18:280 -- 00:12:20:236

Ken Fur tucky




161

00:12:21:280 -- 00:12:23:280

you r f am y how?




162

00:12:23:280 -- 00:12:25:280

my mo ther d ed




163

00:12:25:280 -- 00:12:27:236

she d es n the s t roke




164

00:12:30:280 -- 00:12:31:280

s t have the o thers?




165

00:12:31:280 -- 00:12:32:280

my a f ter f a ther




166

00:12:32:280 -- 00:12:34:280

do you no t f o ow h m toge ther?




167

00:12:34:280 -- 00:12:35:280

we can t ge t a ong w th




168

00:12:35:280 -- 00:12:36:280

can t?




169

00:12:36:280 -- 00:12:40:239

wha t you ask s too many




170

00:12:42:280 -- 00:12:45:280

you r grandparen ts?Unc e?




171

00:12:45:280 -- 00:12:48:280

f or my :

do no t need so

many re a t veses




172

00:12:48:280 -- 00:12:50:236

am a person a one




173

00:12:51:280 -- 00:12:53:236

th s s very good




174

00:13:00:280 -- 00:13:04:280

thank you to ba ou t ou t me




175

00:13:04:280 -- 00:13:06:280

Don t men t on t




176

00:13:06:280 -- 00:13:10:280

f ee the j a have no wha t




177

00:13:10:280 -- 00:13:14:280

th s s you r v ewpo n t




178

00:13:14:280 -- 00:13:17:280

have how many persons ve here?




179

00:13:17:280 -- 00:13:19:280

three person




180

00:13:19:280 -- 00:13:23:239

my f r end says tha t

absorb the po son




181

00:13:24:280 -- 00:13:26:280

th s s the abclek rd ty




182

00:13:26:280 -- 00:13:27:280

have no n f ac t wha t




183

00:13:27:280 -- 00:13:29:280

you have wha t f e amb t on?




184

00:13:29:280 -- 00:13:30:280

yes




185

00:13:30:280 -- 00:13:32:236

wan t to shoo t a mov e




186

00:13:40:280 -- 00:13:44:239

1 0 : 20 : 40 . . .




187

00:13:47:280 -- 00:13:50:280

60 : 80 . . .




188

00:13:50:280 -- 00:13:52:280

1 00




189

00:13:52:280 -- 00:13:54:236

g ve you




190

00:13:56:280 -- 00:13:57:280

th s can e t you ead

a per od o f t me




191

00:13:57:280 -- 00:13:58:280

yes




192

00:13:58:280 -- 00:13:59:280

wa ter : th s s rea y too good




193

00:13:59:280 -- 00:14:02:280

do no t ca my wa ter




194

00:14:02:280 -- 00:14:04:280

H m . ..




195

00:14:04:280 -- 00:14:05:280

had be t ter re tu rn




196

00:14:05:280 -- 00:14:08:280

p an to mu t p y by the f rs t

a rp ane n the morn ng




197

00:14:08:280 -- 00:14:10:280

we see you by tha t t me




198

00:14:10:280 -- 00:14:11:280

can go to the tha t d rec t on

to shoo t a mov e :

s?




199

00:14:11:280 -- 00:14:14:280

can eave the here :

probab y tomor row




200

00:14:14:280 -- 00:14:15:280

you can t




201

00:14:15:280 -- 00:14:19:280

are no t good to you thus




202

00:14:19:280 -- 00:14:21:280

w change name




203

00:14:21:280 -- 00:14:22:280

f or examp e the bene f t o f




204

00:14:25:280 -- 00:14:27:280

the wa ter o f




205

00:14:27:280 -- 00:14:29:280

th s s my f a ther y name




206

00:14:29:280 -- 00:14:33:239

pa n t ng here how?




207

00:14:34:280 -- 00:14:36:236

she s my mo ther




208

00:14:44:280 -- 00:14:46:280

you have no ma t ter?




209

00:14:46:280 -- 00:14:48:236

have a t t e d zzy




210

00:14:49:280 -- 00:14:51:280

the Denver eave the

coas t very near : s?




211

00:14:51:280 -- 00:14:54:280

can dye the gh t ha r :

then shoo t a mov e




212

00:14:54:280 -- 00:14:56:280

ove : beau t f u woman

o f gh t ha r




213

00:14:56:280 -- 00:15:00:239

beau t f u f m s tar o f gh t ha r




214

00:15:01:280 -- 00:15:04:280

then c ap the A s ce toge ther




215

00:15:04:280 -- 00:15:06:280

are you say the co or f ee ng f m?




216

00:15:06:280 -- 00:15:08:280

yes




217

00:15:08:280 -- 00:15:10:236

you are no t unders tand




218

00:15:11:280 -- 00:15:15:239

w ru n you so




219

00:15:27:280 -- 00:15:29:280

he o?




220

00:15:29:280 -- 00:15:31:280

the s v r tuous :

am the c o th :

am n New York




221

00:15:31:280 -- 00:15:35:280

the j a o f New York make wrong




222

00:15:35:280 -- 00:15:37:280

are you te me th s ma t ter?




223

00:15:37:280 -- 00:15:41:280

you know th s to be dec de by you




224

00:15:41:280 -- 00:15:43:280

th s ma t ter s very mpor tan t




225

00:15:43:280 -- 00:15:47:280

wan t ' on y can make

the clek rg ca opera t on




226

00:15:47:280 -- 00:15:49:280

wha t can prom se




227

00:15:49:280 -- 00:15:50:280

am unders tand




228

00:15:50:280 -- 00:15:54:239

now every th ng norma




229

00:15:55:280 -- 00:15:58:280

and w go to the pub c-sp r ted

commun ty to serve




230

00:15:58:280 -- 00:16:00:280

how?




231

00:16:00:280 -- 00:16:04:280

have a t t e the

d sappo n tmen t now : because o f

you are te ng a e to me




232

00:16:04:280 -- 00:16:06:280

s t have wha t say o f?




233

00:16:06:280 -- 00:16:09:280

g ve the ra t o to s t

have a f ter the f a ther




234

00:16:09:280 -- 00:16:12:280

probab y they can ve toge ther




235

00:16:12:280 -- 00:16:16:239

hope tha t you can unders tand




236

00:16:22:280 -- 00:16:26:280

j us t f o owed the chu rch

the p t s so d th s ma t ter




237

00:16:26:280 -- 00:16:30:239

th nk to gu de you r f e . . .




238

00:16:31:280 -- 00:16:33:280

s my mora s respons b ty




239

00:16:33:280 -- 00:16:36:280

f ree f ood : c o thes




240

00:16:36:280 -- 00:16:38:280

the p ace tha t wan t to

go to d rec t y




241

00:16:38:280 -- 00:16:40:280

have no th ng s f ree




242

00:16:40:280 -- 00:16:44:239

e t you work the f ee ng

probab y to compensa te




243

00:16:49:280 -- 00:16:51:280

do no t th nk




244

00:16:51:280 -- 00:16:52:280

come




245

00:16:52:280 -- 00:16:54:280

5 can buy




246

00:16:54:280 -- 00:16:56:236

you can chea t her




247

00:16:58:280 -- 00:16:59:280

d e : wa ter




248

00:16:59:280 -- 00:17:01:236

a r gh t




249

00:17:02:280 -- 00:17:04:280

tera y




250

00:17:04:280 -- 00:17:06:236

e tc . : g ve me




251

00:17:10:280 -- 00:17:12:280

can d d no t ge t mar r ed w th you




252

00:17:12:280 -- 00:17:14:280

very grea t : H m?




253

00:17:14:280 -- 00:17:17:280

my car s ou t o f order :

d d no t make a es




254

00:17:17:280 -- 00:17:20:280

es t ma t ng the gaso ne

can run 30 m es on y




255

00:17:20:280 -- 00:17:24:280

be j us t o d j us t




256

00:17:24:280 -- 00:17:26:280

w ar range




257

00:17:26:280 -- 00:17:28:280

f you wan t to go to Ca f orn a :




258

00:17:28:280 -- 00:17:31:280

w cer ta n y earn money o f




259

00:17:31:280 -- 00:17:33:236

earn money?




260

00:17:35:280 -- 00:17:36:280

bu t ton up up the sa f e ty be t




261

00:17:36:280 -- 00:17:38:280

do no t bu t ton up the sa f e ty be t




262

00:17:38:280 -- 00:17:41:280

do no t hope to see thus




263

00:17:41:280 -- 00:17:44:280

you knows tha t th s there

w be the ser ous reclek t




264

00:17:44:280 -- 00:17:45:280

qu ck y bu t ton up top




265

00:17:45:280 -- 00:17:47:236

good o f




266

00:17:48:280 -- 00:17:51:280

bu t to g ve me USD 2




267

00:17:51:280 -- 00:17:52:280

you are a ways thus




268

00:17:52:280 -- 00:17:56:280

you know tha t money

s very mpor tan t




269

00:17:56:280 -- 00:17:57:280

g ve you USD 3




270

00:17:57:280 -- 00:17:59:280

5 s be t ter




271

00:17:59:280 -- 00:18:02:280

Japanese wou d f or the sake

o f USD 90 bu t hom c de




272

00:18:02:280 -- 00:18:04:280

you unders tand very much

to the Japanese




273

00:18:04:280 -- 00:18:06:236

am cer ta n y c ear




274

00:18:08:280 -- 00:18:12:239

the a f f a r s no tclek ch




275

00:18:14:280 -- 00:18:16:236

don t wan t the use ess ta k




276

00:18:20:280 -- 00:18:22:236

do no t smoke c gare t te




277

00:18:23:280 -- 00:18:27:280

you know tha t the smok ng

wou d hu r t the body




278

00:18:27:280 -- 00:18:30:280

and w cause a f re




279

00:18:30:280 -- 00:18:32:236

do no t th nk




280

00:18:43:280 -- 00:18:46:280

you work the f ee ng no t

w th concen t ra t on




281

00:18:46:280 -- 00:18:50:239

you herea f ter wan t to earn

w th me to do some a f f a rs




282

00:18:52:280 -- 00:18:53:280

am j us t no t concerned




283

00:18:53:280 -- 00:18:56:280

th s s no t wha t prob em




284

00:18:56:280 -- 00:19:00:239

you r how much ?




285

00:19:02:280 -- 00:19:03:280

1 4 or 1 5




286

00:19:03:280 -- 00:19:05:280

am see ng the rou te




287

00:19:05:280 -- 00:19:07:236

thus very good




288

00:19:09:280 -- 00:19:13:239

do you are r ch to buy the f ood?




289

00:20:03:280 -- 00:20:05:280

: am very sor ry :

can t en ter you r room




290

00:20:05:280 -- 00:20:08:280

go to the chu rch to ook n to

checked some use f u n f orma t ons




291

00:20:08:280 -- 00:20:10:280

no t ced : cer ta n y




292

00:20:10:280 -- 00:20:13:280

f ound ou t the address




293

00:20:13:280 -- 00:20:16:280

we 45 can ar r ve tha t a f ter m nu tes




294

00:20:16:280 -- 00:20:19:280

do no t wan t to go there




295

00:20:19:280 -- 00:20:21:236

th s TM Liore 2 s qu te good




296

00:20:22:280 -- 00:20:25:280

d f f cu t way do you no t

s eep the dea? Have no




297

00:20:25:280 -- 00:20:29:239

so : you shou d ge t up




298

00:20:32:280 -- 00:20:34:236

good even ng .




299

00:20:43:280 -- 00:20:46:280

theclek n was angry to come




300

00:20:46:280 -- 00:20:48:236

you mus t ge t up




301

00:20:52:280 -- 00:20:54:236

w never can s gh




302

00:20:55:280 -- 00:20:57:236

unders tood




303

00:21:10:280 -- 00:21:14:280

the f rs t p ace s n the nor th




304

00:21:14:280 -- 00:21:17:280

ke my romma te




305

00:21:17:280 -- 00:21:21:280

John : the s my romma te :

an among thoses be ke the




306

00:21:21:280 -- 00:21:23:280

ano ther an s ke John




307

00:21:23:280 -- 00:21:27:280

be ke th s : be ke tha t




308

00:21:27:280 -- 00:21:30:280

do you know tha t the same

sex oves th s phrase?




309

00:21:30:280 -- 00:21:32:280

can say one more t me?




310

00:21:32:280 -- 00:21:36:280

have a huge tower o f b ack




311

00:21:36:280 -- 00:21:40:280

the key s to have a bouncer




312

00:21:40:280 -- 00:21:42:280

be ke the v ta symbo




313

00:21:42:280 -- 00:21:46:239

a t the same t me :

mos t the key s a ra n

wa ter tha t has the mag c




314

00:21:48:280 -- 00:21:52:280

ter r b e and ove y u r ne




315

00:21:52:280 -- 00:21:54:280

on y n the as t one m nu te :




316

00:22:00:280 -- 00:22:02:236

the same se Omeove




317

00:22:41:280 -- 00:22:43:280

damn o f : c o th




318

00:22:43:280 -- 00:22:47:239

j us t cons der the recen t road :

so we can cu t through

as soon as poss b e




319

00:22:49:280 -- 00:22:51:236

g ve the ra t o !




320

00:22:54:280 -- 00:22:56:236

you wan t to go to where?




321

00:23:00:280 -- 00:23:02:280

you r behav or s ke

to s spo bad ch d




322

00:23:02:280 -- 00:23:04:280

: day : f ound ou t you f na y




323

00:23:04:280 -- 00:23:08:239

th s s my rea ch d




324

00:23:15:280 -- 00:23:17:280

then embrace each o ther me




325

00:23:17:280 -- 00:23:20:280

you rea y d d me f avou r :

my dear ch d




326

00:23:20:280 -- 00:23:23:280

rece ve the te ephone to say

tha t you have to come th s t me




327

00:23:23:280 -- 00:23:25:280

never he p you




328

00:23:25:280 -- 00:23:27:280

you are t rue s tup d




329

00:23:27:280 -- 00:23:28:235

you are very good- ook ng

to see the w ndow ou ts de




330

00:23:31:280 -- 00:23:33:280

you has been ve here?




331

00:23:33:280 -- 00:23:35:280

j us t make t a ru e the road here




332

00:23:35:280 -- 00:23:37:280

so : you by you rse f a t do wha t?




333
00:23:37:280 -- 00:23:41:280
wan t to know every th ng

334
00:23:41:280 -- 00:23:42:280
he goes to New York

335
00:23:42:280 -- 00:23:46:239
do the f m-mak ng ead ng

336
00:23:47:280 -- 00:23:49:280
f x to go Ca f orn a

337
00:23:49:280 -- 00:23:51:280
Ca f orn a?

338
00:23:51:280 -- 00:23:53:280
th s s exac t y the type tha t ke

339
00:23:53:280 -- 00:23:57:280
he s a cheery monkey :
f oa t the n the
wor d-w de oca t ons

340
00:23:57:280 -- 00:23:59:280
even s a schoo

341
00:23:59:280 -- 00:24:01:280
: do you a so throw the
body mov e bus ness?

342
00:24:01:280 -- 00:24:02:280
her ma n en thus asm s a chu rch

343
00:24:02:280 -- 00:24:04:236
pray f or God

344
00:24:05:280 -- 00:24:07:280
a so do so by myse f

345
00:24:07:280 -- 00:24:11:239
f you wou d ke to o f words can
g ve you you r b r thmark on
the nose to throw away

346
00:24:14:280 -- 00:24:17:238
qu e t y e there

347
00:24:19:280 -- 00:24:21:236
who there?

348
00:24:23:280 -- 00:24:27:280
you can have been ve here

349
00:24:27:280 -- 00:24:29:280
Hey : thus you r nose
can t aga n pa n f u .
Thank you .

350
00:24:29:280 -- 00:24:33:280
you wan t the one-s tep one s tep .
am unders tand .

351
00:24:33:280 -- 00:24:36:280
he s cer ta n y the mee t ng
o f . Have theclek ch reason

352
00:24:36:280 -- 00:24:40:280
c ose the onese f : d scover
the onese f : e t you do no t
need to beclek b j ec ted to hu r t

353
00:24:40:280 -- 00:24:42:280
as f or pro f ound to see the . ..

354
00:24:42:280 -- 00:24:45:280
become a k nd o f spec a pu rpose
become a k nd o f spec a pu rpose

355
00:24:45:280 -- 00:24:49:280
the a f f a r tha t you say
he re tu rn un n teres ted

356
00:24:49:280 -- 00:24:53:280
you wan t to be a the way
and up to accompany the he
go to Ca f orn a?

357
00:24:53:280 -- 00:24:57:239
mus t go to a p ace .
Sor ry . Thank you .

358
00:25:06:280 -- 00:25:08:280
become a k nd o f spec a pu rpose
wha t ma t ter?

359
00:25:08:280 -- 00:25:11:280
even ng good . Execuse me :
you are ook ng f or to g ve
the ra t o . Fer t e be w ng to ?

360
00:25:11:280 -- 00:25:13:280
become a k nd o f spec a pu rpose
who ask?

361
00:25:13:280 -- 00:25:16:280
am the c o th :
have the very b g n teres t

362
00:25:16:280 -- 00:25:20:239
become a k nd o f spec a pu rpose
you r son wen t home

363
00:25:22:280 -- 00:25:26:280
can bo ther once?
come n a t once .

364
00:25:26:280 -- 00:25:28:236
can bo ther once?
come n a t once .

365
00:25:30:280 -- 00:25:32:236
see s who?

366
00:25:33:280 -- 00:25:37:280
f you w go to Manha t tan :
you have to tu rn over more
th s moun ta n

367
00:25:37:280 -- 00:25:40:280
: see to grow much s t rong so d

368
00:25:40:280 -- 00:25:42:280
g ve the ra t o : g ve you
f a ther bea t a ma am

369
00:25:42:280 -- 00:25:45:280
: am very happy tha t you wou d come :
rea y th nk o f you

370
00:25:45:280 -- 00:25:49:239
you s t know tha t eave wha t :
s she my mo ther?

371
00:25:50:280 -- 00:25:54:280
f org ve my behav or

372
00:25:54:280 -- 00:25:56:280
you shu t up !

373
00:25:56:280 -- 00:25:58:236
: g ve the ra t o !

374
00:25:59:280 -- 00:26:00:280
wha t s the ma t ter w th you?

375
00:26:00:280 -- 00:26:02:280
come to my here

376
00:26:02:280 -- 00:26:03:280
do you no t ke?

377
00:26:03:280 -- 00:26:07:239
you ke o f . Shu t up !

378
00:26:08:280 -- 00:26:10:236
ge t up !

379
00:26:16:280 -- 00:26:18:280
g ve the ra t o?

380
00:26:18:280 -- 00:26:20:236
dear?

381
00:26:33:280 -- 00:26:37:239
pu t th s guy f rs t on the s too

382
00:26:40:280 -- 00:26:43:280
: damn o f g ve the ra t o .

383
00:26:43:280 -- 00:26:45:236
f nd to seek h m

384
00:27:00:280 -- 00:27:03:280
rea y s my wrong

385
00:27:03:280 -- 00:27:07:239
you never te me why no t go home

386
00:27:10:280 -- 00:27:12:236
you wan t to go to where?

387
00:27:33:280 -- 00:27:37:239
to ea t the break f as t?

388
00:27:46:280 -- 00:27:50:280
you go to d scuss w th h m by you rse f :
s t occupy

389
00:27:50:280 -- 00:27:54:239
even he w no t appear :
bu t s t can t change h s mo ther
clek c de o f o f f ac t

390
00:27:55:280 -- 00:27:57:236
does she comm t clek c de?

391
00:27:58:280 -- 00:28:00:280
yes : checked the wound

392
00:28:00:280 -- 00:28:04:280
g ve the ra t o a t tha t t me a t schoo

393
00:28:04:280 -- 00:28:06:236
: day !

394
00:28:44:280 -- 00:28:47:280
the a f f a r o f these n teres t ngs
s a par t o f th s ove y na t on

395
00:28:47:280 -- 00:28:51:280
so take care o f to open
you r car on y : do no t h s mama
ta k wha t rubb sh

396
00:28:51:280 -- 00:28:55:280
am rea y f avou r tha t
wan ts to he p you

397
00:28:55:280 -- 00:28:59:239
who know you r f e
have no the reason thus

398
00:29:00:280 -- 00:29:04:280
so wan t to t ry to you r
cer ta n ead ng

399
00:29:04:280 -- 00:29:06:280
wha t s tha t?

400
00:29:06:280 -- 00:29:08:280
: no t : abso u te y s no t .
s tha t a po sonous ar t c e?

401
00:29:08:280 -- 00:29:10:280
: no t : abso u te y s no t .
s tha t a po sonous ar t c e?

402
00:29:10:280 -- 00:29:12:280
damn o f !

403
00:29:12:280 -- 00:29:16:280
: no t : abso u te y s no t .
s tha t a po sonous ar t c e?
: no t : you can t do so

404
00:29:16:280 -- 00:29:20:280
you now w you
f rom the
b amed car n tee o f f to go to?

405
00:29:20:280 -- 00:29:22:280
good o f .

406
00:29:22:280 -- 00:29:24:236
have no ma t ter

407
00:29:25:280 -- 00:29:29:239
wha t mean ng does tha t
th ng have to you?

408
00:29:33:280 -- 00:29:36:280
the beverage tha t you wan t .

409
00:29:36:280 -- 00:29:38:280
th s cup co f f ee g ves mo ther

410
00:29:38:280 -- 00:29:42:239
am no t h s mo ther .

411
00:30:36:280 -- 00:30:39:280
d d no t s eep as t n gh t good :
we go to a mo te now

412
00:30:39:280 -- 00:30:41:236
don t go now

413
00:30:55:280 -- 00:30:59:239
s here a cer ta n
used to the mon tor ng th ng?

414
00:31:00:280 -- 00:31:04:239
f ace wha t to pack here
s a ch cken

415
00:31:05:280 -- 00:31:07:236
ch cken?

416
00:31:10:280 -- 00:31:12:236
ma tch the appe t te?

417
00:31:15:280 -- 00:31:17:236
: no t : abso u te y s no t .
s tha t a po sonous ar t c e?
damn o f .

418
00:31:18:280 -- 00:31:22:239
sor ry :
wan t to go to the ba throom

419
00:31:32:280 -- 00:31:36:239
do you th nk tha t there s
snake n th s ne ghborhood?

420
00:31:44:280 -- 00:31:46:236
a ge t away !

421
00:32:06:280 -- 00:32:10:280
you f rom wh ch ane o f?

422
00:32:10:280 -- 00:32:12:280
buy o f

423
00:32:12:280 -- 00:32:15:280
wha t do those wo f s are ca ?

424
00:32:15:280 -- 00:32:17:236
they are hungry

425
00:32:18:280 -- 00:32:20:280
the here s cer ta n y
Amer can nor th

426
00:32:20:280 -- 00:32:23:280
th ck f ores t :
th s s the f e to exper ence

427
00:32:23:280 -- 00:32:27:239
t r a and ou ts de and
s m ar exchanges

428
00:32:28:280 -- 00:32:32:280
they wou d a ways be so crary

429
00:32:32:280 -- 00:32:34:280
re ax . Good o f .

430
00:32:34:280 -- 00:32:37:280
am to say tha t never te you :
however am to know

431
00:32:37:280 -- 00:32:39:236
have no th ng a t a

432
00:32:41:280 -- 00:32:45:239
you th nk wou d f nd ou t tha t
e t you move o f woman?

433
00:32:52:280 -- 00:32:56:239
you have wha t secre t?

434
00:32:58:280 -- 00:33:00:280
have no ma t ter

435
00:33:00:280 -- 00:33:03:280
s j us t a f ac tors
o f c rcums tance

436
00:33:03:280 -- 00:33:06:280
am s t a t me o f t t e g r :
wasclek b j ec ted to f r gh ten bu t

437
00:33:06:280 -- 00:33:09:280
s t the each n gh t s ep t the

438
00:33:09:280 -- 00:33:13:280
the t r a s tens to brea the
the vo ce : hope my paren ts ab ty
f or the sake o f she
go home ear er

439
00:33:13:280 -- 00:33:17:239
bu t f rom tha t herea f ter
d d no t see aga n her

440
00:33:19:280 -- 00:33:21:280
: no t : abso u te y s no t .
f nd ou t th s

441
00:33:21:280 -- 00:33:25:239
s cer ta n y the toy tha t you ke

442
00:33:57:280 -- 00:33:59:280
theclek n has a ready v nged

443
00:33:59:280 -- 00:34:00:280
s tha t a po sonous ar t c e?
hu r ry .

444
00:34:00:280 -- 00:34:02:236
we se t ou t

445
00:34:03:280 -- 00:34:05:280
o therw se we w be a te
f or a week o f

446
00:34:05:280 -- 00:34:07:280
f te tha t you can be you
aga n the te ecommun ca t on
marke t f nds ou t a work

447
00:34:07:280 -- 00:34:10:280
wha t v ewpo n t do you have?

448
00:34:10:280 -- 00:34:14:280
th nk tha t you can ve n
the te ecommun ca t on marke t

449
00:34:14:280 -- 00:34:17:280
you a ways ose the work

450
00:34:17:280 -- 00:34:21:239
wan t to go to Ca f orn a :
my t rue na tu ra f a ther
speaks o f there

451
00:34:22:280 -- 00:34:26:280
f rom now on 1 0 a f ter years
you have to you r f e
wha t v ewpo n t?

452
00:34:26:280 -- 00:34:29:280
probab y n a co or f ee ng s tore work

453
00:34:29:280 -- 00:34:31:280
kep t a dog : have a ch d

454
00:34:31:280 -- 00:34:33:280
ch d !
th s ch d how?

455
00:34:33:280 -- 00:34:36:280
th s ch d how?
wha t mean?

456
00:34:36:280 -- 00:34:40:239
wan t to have more ra t os a t
the work tha t the co or
f ee ng s tore go to work

457
00:34:42:280 -- 00:34:46:280
f you ke the an ma :
you can become an an ma
conserva tor

458
00:34:46:280 -- 00:34:48:236
or f eed the member
wha t mean?

459
00:34:51:280 -- 00:34:53:280
cer ta n y have the secre t

460
00:34:53:280 -- 00:34:55:280
( F rench wha t mean? )

461
00:34:55:280 -- 00:34:57:280
wha t mean?

462
00:34:57:280 -- 00:35:01:239
be you cer ta n y have the secre t

463
00:35:37:280 -- 00:35:40:280
you are a woman s t ma e?

464
00:35:40:280 -- 00:35:44:239
tu rned round to come : t reaclek re

465
00:35:53:280 -- 00:35:57:239
have a k d to ask me j us t now :
how to hand e

466
00:35:58:280 -- 00:36:01:280
as t n gh t cer ta n wha t m s take

467
00:36:01:280 -- 00:36:05:239
e on the ground :
s toge ther w th my son

468
00:36:07:280 -- 00:36:10:280
because he s mposs b e

469
00:36:10:280 -- 00:36:14:239
n f ne can t throw down he gnore

470
00:36:15:280 -- 00:36:16:280
damn !
wha t mean?

471
00:36:16:280 -- 00:36:20:239
do no t know whe ther have h m a

472
00:36:21:280 -- 00:36:23:280
: e tc . .

473
00:36:23:280 -- 00:36:25:280
g ve the ra t o?

474
00:36:25:280 -- 00:36:27:280
g ve the ra t o !

475
00:36:27:280 -- 00:36:31:280
you m nd me
n t roduce to you r new f r end?

476
00:36:31:280 -- 00:36:33:236
te her

477
00:36:35:280 -- 00:36:37:280
good o f : th s s Tay or

478
00:36:37:280 -- 00:36:39:280
very happy unders tand ng you :
Tay or

479
00:36:39:280 -- 00:36:41:280
take p ace wha t?Come over !

480
00:36:41:280 -- 00:36:43:280
you r mo ther s f rs t-c ass
s t n the car we

481
00:36:46:280 -- 00:36:50:239
you had be t ter pu t n the
cus tody o f good the g r o f the
po sonous bad man f e !

482
00:36:51:280 -- 00:36:55:239
you : go to the d n ng
tab e to wa t me

483
00:36:58:280 -- 00:37:02:239
reques t you :
rea y do no t th nk
a t be th s mo ther

484
00:37:21:280 -- 00:37:25:280
dear God :
the w th gra t tude
g ves ou r f ood

485
00:37:25:280 -- 00:37:29:280
reques t you can f nd ou t
no t e t g ve the ra t o to
absorb the po sonous me thod

486
00:37:29:280 -- 00:37:32:280
so he can
work anyp ace

487
00:37:32:280 -- 00:37:34:280
and f nd ou t a good f r end

488
00:37:34:280 -- 00:37:38:280
so even can t f nd ou t h s f a ther :
a so hope comp e te ndependence
o f h s ab ty

489
00:37:38:280 -- 00:37:42:239
amen . Amen . wha t mean?


490
00:37:44:280 -- 00:37:48:239
wan t to re tu rn :
so you have to g ve me USD 1 0

491
00:37:49:280 -- 00:37:53:239
wha t do you th nk to be dry?

492
00:37:55:280 -- 00:37:58:280
you are to a ways
say s my wrong?

493
00:37:58:280 -- 00:38:02:280
s j us t an dea

494
00:38:02:280 -- 00:38:04:280
te you

495
00:38:04:280 -- 00:38:08:280
you can choose own env ronmen t :
s top absorb po son

496
00:38:08:280 -- 00:38:12:280
am to say tha t the . ..
c nch a dea ?

497
00:38:12:280 -- 00:38:14:236
c nch a dea

498
00:38:28:280 -- 00:38:32:280
g ve you a g f t .

499
00:38:32:280 -- 00:38:35:280
thank you : am very the . .. happy .

500
00:38:35:280 -- 00:38:37:236
pu t on .

501
00:38:42:280 -- 00:38:46:239
ook very beau t f u

502
00:38:49:280 -- 00:38:51:236
you had be t ter come n

503
00:38:53:280 -- 00:38:55:280
wha t you know to be
ca ed the danger?

504
00:38:55:280 -- 00:38:57:236
Hey : Hey !

505
00:39:00:280 -- 00:39:03:280
Hey : come n ! grasp
t gh t y t gh t

506
00:39:03:280 -- 00:39:05:280
can you e t me e t go
o f the hear t?

507
00:39:05:280 -- 00:39:09:239
do e t you f ear?

508
00:39:16:280 -- 00:39:18:236
do no t wan t to go to

509
00:39:19:280 -- 00:39:23:034
am very f r gh tened :
have a younger s s ter
n new London

510
00:39:27:280 -- 00:39:31:239
she ac t towards peop e
very ho t ver

511
00:39:32:280 -- 00:39:34:280
so hope tha t you can ke

512
00:39:34:280 -- 00:39:36:236
my mee t ng o f

513
00:39:41:280 -- 00:39:44:280
so the c o th came

514
00:39:44:280 -- 00:39:47:280
am Mary . .
Come n a t once .

515
00:39:47:280 -- 00:39:50:280
ca come over toge ther
the f r end : so as f ar as poss b e
take here as a house

516
00:39:50:280 -- 00:39:54:239
the Hey : Mary : qu ck y come to here :
am see ng you r pho tograph

517
00:39:55:280 -- 00:39:57:280
am very sor ry

518
00:39:57:280 -- 00:39:58:280
need the mee t ng :
you w f ee very n teres t ng

519
00:39:58:280 -- 00:40:00:280
everyone heard good :
th s s the c o th .

520
00:40:00:280 -- 00:40:02:280
th s g ves the ra t o handsome y

521
00:40:02:280 -- 00:40:04:236
you good

522
00:40:06:280 -- 00:40:08:280
s the here wha t s the row?

523
00:40:08:280 -- 00:40:12:239
am hos t here :
th s s the proper ty o f my home

524
00:40:13:280 -- 00:40:16:280
we come f ema e par ty o f ar r ve
a t the f rs t t me

525
00:40:16:280 -- 00:40:20:239
we can f o ow one s
nc na t ons the ground to p ay

526
00:40:24:280 -- 00:40:25:280
we mus t wa k

527
00:40:25:280 -- 00:40:26:280
no t

528
00:40:26:280 -- 00:40:27:280
we s t a shor t wh e : no t good?

529
00:40:27:280 -- 00:40:28:280
no t

530
00:40:28:280 -- 00:40:32:239
she s f r end y :
she ac t ke a f r end

531
00:40:33:280 -- 00:40:35:280
these wen t f e tch f rom the k tchen o f :
come to ea t toge ther?

532
00:40:35:280 -- 00:40:36:280
come : come n

533
00:40:36:280 -- 00:40:37:280
th s s the express ona
oppor tun ty

534
00:40:37:280 -- 00:40:39:236
come

535
00:40:51:280 -- 00:40:54:280
g ve the ra t o and does
no t know who am

536
00:40:54:280 -- 00:40:55:280
you r eg t ma te ch d?

537
00:40:55:280 -- 00:40:59:280
oh : swee t hear t :
have the good th ng to see?

538
00:40:59:280 -- 00:41:02:280
a e ts the person s heavy guy

539
00:41:02:280 -- 00:41:05:280
he s an an among those
am bes t o f f r end

540
00:41:05:280 -- 00:41:07:280
a t the tha t t me : we p ay the
j oy ever and toge ther

541
00:41:07:280 -- 00:41:09:280
we ar r ved the here on same day

542
00:41:09:280 -- 00:41:13:280
we are very happy n there day :
pu the hand o f

543
00:41:13:280 -- 00:41:17:239
George s good co eague who
am f rom crad e to the
grave med um

544
00:41:18:280 -- 00:41:19:280
oh : we j us t th nk ng te you

545
00:41:19:280 -- 00:41:21:280
you r f r end s some to
be shy w th s t rangers

546
00:41:21:280 -- 00:41:25:280
f or my ac t v ty me thod

547
00:41:25:280 -- 00:41:27:280
th nk tha t she s to
come f rom the chu rch

548
00:41:27:280 -- 00:41:30:280
the made a te ephone
ca f or me a f terwards

549
00:41:30:280 -- 00:41:31:280
th s s the a f f a r o f
the as t mon th

550
00:41:31:280 -- 00:41:34:280
th s t r f e . . .

551
00:41:34:280 -- 00:41:36:280
wan t to p ay once?

552
00:41:36:280 -- 00:41:38:280
a t Ho ywood :
do they usua y p ay th s?

553
00:41:38:280 -- 00:41:42:239
shou d some be t ter t r f e

554
00:41:43:280 -- 00:41:46:280
why th s card as t guy
no t d s t ngu sh ana yse the sex?

555
00:41:46:280 -- 00:41:49:280
am a women ever :
take now f or a men

556
00:41:49:280 -- 00:41:53:239
have more cho ces on the
danc ng par ty thus

557
00:41:54:280 -- 00:41:57:280
s th s a rea man?

558
00:41:57:280 -- 00:42:01:280
we d d a mon th

559
00:42:01:280 -- 00:42:03:280
thus does the a f f a r
s probab y some?

560
00:42:03:280 -- 00:42:06:280
s t a te y o f ma t ter

561
00:42:06:280 -- 00:42:10:280
they are qua ty goods a t
reasonab e pr ceses : dear

562
00:42:10:280 -- 00:42:11:280
she s a men

563
00:42:11:280 -- 00:42:12:280
wha t?

564
00:42:12:280 -- 00:42:14:280
become the woman

565
00:42:14:280 -- 00:42:17:280
wa k ou t f rom the mar r age

566
00:42:17:280 -- 00:42:21:239
you w ke to f o ow
them warm and a f f ec t ona te

567
00:42:45:280 -- 00:42:47:236
everyone

568
00:43:15:280 -- 00:43:17:236
sor ry

569
00:43:20:280 -- 00:43:22:280
you can my c o thes
take to come n?

570
00:43:22:280 -- 00:43:26:239
p ease there o f pa j ama
br ng over here

571
00:43:37:280 -- 00:43:40:280
40 c o thes o f the s zes
say f or me a o t too b g

572
00:43:40:280 -- 00:43:42:236
wear the to f t the gram

573
00:43:45:280 -- 00:43:47:280
Luo s ?

574
00:43:47:280 -- 00:43:51:280
wear the to f t the gram
wha t to po n t s the f rs t
to bu t ton up : the second

575
00:43:51:280 -- 00:43:53:280
hear the : am very sor ry

576
00:43:53:280 -- 00:43:56:280
because o f these . . .
wan t to take a ba th

577
00:43:56:280 -- 00:43:58:236
wha t

578
00:43:59:280 -- 00:44:02:280
the ha r mean ng s
a t t e b t some assumed th ng

579
00:44:02:280 -- 00:44:06:280
bu t ac tua y s no t

580
00:44:06:280 -- 00:44:08:236
th nk th s very good

581
00:44:10:280 -- 00:44:12:280
the r se guys are a
wear the shoes s t ro o f :
d a ogue?

582
00:44:12:280 -- 00:44:16:280
yes : n some p aces

583
00:44:16:280 -- 00:44:20:239
my mo ther o f my f a ther
d d no t speak these

584
00:44:21:280 -- 00:44:25:280
j us t g ve me money
buy the c o thes . . .

585
00:44:25:280 -- 00:44:27:280
the ch dren s beau t f u c o thes

586
00:44:27:280 -- 00:44:29:280
don t know the pr ce n the s tore

587
00:44:29:280 -- 00:44:32:280
you r mama daddy a so a t
Ca f orn a?

588
00:44:32:280 -- 00:44:36:280
my paren ts d ed

589
00:44:36:280 -- 00:44:39:280
do you ke the shoes?

590
00:44:39:280 -- 00:44:43:239
do no t m nd ts s ty e
whe ther very popu ar :
th nk

591
00:44:48:280 -- 00:44:50:280
s

592
00:44:50:280 -- 00:44:52:280
a so s

593
00:44:52:280 -- 00:44:54:236
good even ng

594
00:44:55:280 -- 00:44:57:236
good even ng

595
00:45:03:280 -- 00:45:04:280
do you ascend the un vers ty

596
00:45:04:280 -- 00:45:05:280
yes

597
00:45:05:280 -- 00:45:06:280
earn some wha t?

598
00:45:06:280 -- 00:45:07:280
a o t o f th ng

599
00:45:07:280 -- 00:45:11:239
among them have var ous
cu tu ra know edge : tera tu re :
s t have the h s tory

600
00:45:15:280 -- 00:45:18:280
n a Por te March

601
00:45:18:280 -- 00:45:22:280
th s p ace s f u
w th f resh f owers :
good- ook ng o f

602
00:45:22:280 -- 00:45:24:280
we are there now

603
00:45:24:280 -- 00:45:28:239
we do no t know any th ng :
n add t on to money

604
00:45:29:280 -- 00:45:31:236
d d no t hear

605
00:45:32:280 -- 00:45:36:280
t can e t the who e a f f a r
sunk deep y among them

606
00:45:36:280 -- 00:45:37:280
we j us t a t ano ther the par t
s n the p cn c now

607
00:45:37:280 -- 00:45:38:280
she bea ts mmed a te y a t there

608
00:45:38:280 -- 00:45:42:280
so some persons ask she do wha t

609
00:45:42:280 -- 00:45:46:280
why she wou d f or a b rd
bu t does the sor row save t a so?

610
00:45:46:280 -- 00:45:48:280
why

611
00:45:48:280 -- 00:45:52:239
do no t know :
bu t f ace to have some
oddness here

612
00:45:53:280 -- 00:45:56:280
do you ke to ea t the
choco a te and cand es?

613
00:45:56:280 -- 00:45:57:280
some ke

614
00:45:57:280 -- 00:46:01:239
be am a ch d o f t me :
a so ke

615
00:46:17:280 -- 00:46:18:280
s you?

616
00:46:18:280 -- 00:46:20:236
d d no t do

617
00:46:22:280 -- 00:46:26:239
the : send you rs

618
00:46:28:280 -- 00:46:29:280
you made the pa n my eye

619
00:46:29:280 -- 00:46:33:239
s t dare?The : know you

620
00:46:34:280 -- 00:46:36:236
s top

621
00:46:38:280 -- 00:46:40:280
rose s wha t

622
00:46:40:280 -- 00:46:42:236
can you dr ve

623
00:46:43:280 -- 00:46:47:239
hope to f nd ou t the
p ace n the be f ore dark

624
00:46:53:280 -- 00:46:57:239
th s s rea y a s en t n gh t :
no t s?

625
00:47:42:280 -- 00:47:44:236
ke

626
00:47:45:280 -- 00:47:47:236
very comf or tab e

627
00:47:50:280 -- 00:47:54:239
have wha t ma t ter?

628
00:48:08:280 -- 00:48:12:239
the here s no t to
smoke the room

629
00:48:25:280 -- 00:48:29:280
New Mex co s wa k ng
to come toward us

630
00:48:29:280 -- 00:48:31:280
can you keep up w th? A en

631
00:48:31:280 -- 00:48:35:239
th s s the top c tha t am s tudy

632
00:48:36:280 -- 00:48:40:239
you know :
soc e ty the assoc a t on wan ts to
depend on the anguage exchanges

633
00:48:42:280 -- 00:48:46:280
. G ve the ra t o says . . .

634
00:48:46:280 -- 00:48:50:239
we j us t th nk ng to where

635
00:48:53:280 -- 00:48:57:239
these th ngs are very cheap :
need USD an on y

636
00:49:00:280 -- 00:49:04:239
they a day ong a
n the here ac t v ty

637
00:49:06:280 -- 00:49:10:280
young person : don t pound thus :
th s s a very ser ous prob em

638
00:49:10:280 -- 00:49:12:280
ho d

639
00:49:12:280 -- 00:49:13:280
madam : are you h s mo ther?

640
00:49:13:280 -- 00:49:16:280
she s no t my mo ther :
she wha t a so s no t

641
00:49:16:280 -- 00:49:19:280
she s no t a rea woman

642
00:49:19:280 -- 00:49:21:280
she s change the : no t s?

643
00:49:21:280 -- 00:49:23:280
no t s?Say

644
00:49:23:280 -- 00:49:25:236
how

645
00:49:30:280 -- 00:49:34:239
do you know?B amed te a f a sehood

646
00:49:36:280 -- 00:49:38:280
you are th nk wha t : madam

647
00:49:38:280 -- 00:49:41:280
j us t because o f
have some person s
m clek nders tand ng to mes

648
00:49:41:280 -- 00:49:44:280
s a te a e?
why wan t to te a e to you

649
00:49:44:280 -- 00:49:46:280
tha t you why no t te
me the t rue f ac ts?

650
00:49:46:280 -- 00:49:47:280
rea unders tand ng o f
you r ab ty ?G ve the

651
00:49:47:280 -- 00:49:49:280
these speak the poss b ty too ear y

652
00:49:49:280 -- 00:49:53:239
tha t do you unders tand me?

653
00:49:57:280 -- 00:49:59:280
you why throw down me here

654
00:49:59:280 -- 00:50:00:280
you th nk tha t wa k
does the re tu rn?

655
00:50:00:280 -- 00:50:04:239
ca po ce to he p

656
00:50:05:280 -- 00:50:07:280
ho d

657
00:50:07:280 -- 00:50:09:280
hear tha t you t ra n n the chu rch

658
00:50:09:280 -- 00:50:13:280
the nex t t me throws down aga n me

659
00:50:13:280 -- 00:50:15:280
so : you th nk you have
the power to say me

660
00:50:15:280 -- 00:50:18:280
be ong to the chu rch on y?

661
00:50:18:280 -- 00:50:21:280
my body perhaps
j us t exper enceclek ccess ve y
a f a se process

662
00:50:21:280 -- 00:50:24:280
bu t my sou have no wrong

663
00:50:24:280 -- 00:50:27:280
God e ts me pass
th s me thod reb r th

664
00:50:27:280 -- 00:50:31:280
s to have the reason :
have no f au t

665
00:50:31:280 -- 00:50:33:280
s she a so a god s generos ty?

666
00:50:33:280 -- 00:50:34:280
you have no r gh t
tha t depr ves t

667
00:50:34:280 -- 00:50:36:280
you see the go on y

668
00:50:36:280 -- 00:50:38:280
s ck

669
00:50:38:280 -- 00:50:42:280
h : can you take my one d s tance?

670
00:50:42:280 -- 00:50:44:280
cer ta n y

671
00:50:44:280 -- 00:50:48:239
we ke the s t ranger

672
00:50:52:280 -- 00:50:53:280
come to 1 ?

673
00:50:53:280 -- 00:50:55:280
no t : don t take ou t
when go by car

674
00:50:55:280 -- 00:50:57:280
you rse f come : do no t m nd

675
00:50:57:280 -- 00:50:59:280
you can t a ways thus

676
00:50:59:280 -- 00:51:00:280
some t gh t : th s s my gra t tude

677
00:51:00:280 -- 00:51:02:236
cer ta n y

678
00:51:12:280 -- 00:51:14:280
embar rassed : do no t smoke o f

679
00:51:14:280 -- 00:51:17:280
clek t to dr ve thus and more

680
00:51:17:280 -- 00:51:19:280
she s 0 . K . ?

681
00:51:19:280 -- 00:51:21:280
she s no t she :
she s d e the person

682
00:51:21:280 -- 00:51:23:236
g ve the ra t o

683
00:51:24:280 -- 00:51:28:280
are you a men?

684
00:51:28:280 -- 00:51:30:280
s a the change come
over o f rea woman

685
00:51:32:280 -- 00:51:34:280
wan t to change ss

686
00:51:34:280 -- 00:51:37:280
n f ac t s to be ong to the f reak

687
00:51:37:280 -- 00:51:39:236
Hey : see

688
00:51:40:280 -- 00:51:41:280
a o t o f soc a phenomena
a have ts h s tory

689
00:51:41:280 -- 00:51:44:280
have the ts own and
spec a hab t

690
00:51:44:280 -- 00:51:46:236
become the person o f s :
the same s ove :

691
00:51:50:280 -- 00:51:51:280
too despa r : very coo

692
00:51:51:280 -- 00:51:53:236
someone wan ted the dead

693
00:51:55:280 -- 00:51:56:280
don t make coo cr t c sm thus

694
00:51:56:280 -- 00:51:58:280
en j oy you rclek n gh t

695
00:51:58:280 -- 00:52:02:280
ask conven en t y once : bro thers :
does she w come toge ther

696
00:52:02:280 -- 00:52:04:236
she w take p eaclek re n o f

697
00:52:05:280 -- 00:52:06:280
come

698
00:52:06:280 -- 00:52:08:280
you are a men

699
00:52:08:280 -- 00:52:09:280
you r two boys go to

700
00:52:09:280 -- 00:52:13:239
am here very good

701
00:52:18:280 -- 00:52:20:280
you a t dry wha t?

702
00:52:20:280 -- 00:52:24:280
w no t don t f o ow the
spac ous p ace o f to sw m

703
00:52:24:280 -- 00:52:26:280
wha t do you are to do?

704
00:52:26:280 -- 00:52:27:280
come to a wa ter n the m ss e

705
00:52:27:280 -- 00:52:28:280
you how to do

706
00:52:28:280 -- 00:52:30:280
c mb up the here

707
00:52:30:280 -- 00:52:31:280
can do a shou ted to j ump up

708
00:52:31:280 -- 00:52:33:280
you come up w th

709
00:52:33:280 -- 00:52:35:236
see the

710
00:52:37:280 -- 00:52:39:236
wha t ma t ter

711
00:52:40:280 -- 00:52:41:280
car ry on the back
a f ter see my

712
00:52:41:280 -- 00:52:45:239
you thus whe ther
re ax very much?

713
00:52:46:280 -- 00:52:48:280
no t : w d e under
the presclek re o f

714
00:52:48:280 -- 00:52:49:280
and very deep acc den t n

715
00:52:49:280 -- 00:52:53:239
n the moon gh t :
w ta k w th my shadow

716
00:53:02:280 -- 00:53:06:280
you s t th nk
can t you become the good man?

717
00:53:06:280 -- 00:53:08:236
why?

718
00:53:09:280 -- 00:53:11:236
make me f ree

719
00:53:15:280 -- 00:53:17:280
you are no t f ree

720
00:53:17:280 -- 00:53:19:236
you are a er

721
00:53:28:280 -- 00:53:29:280
oh : ho d

722
00:53:29:280 -- 00:53:31:280
my day :

723
00:53:31:280 -- 00:53:33:236
damn o f : ho d

724
00:53:36:280 -- 00:53:40:239
my th ng earns to re tu rn there :
good heavens

725
00:53:55:280 -- 00:53:57:280
regre t too a te

726
00:53:57:280 -- 00:54:01:239
we have to th nk a me thod

727
00:54:06:280 -- 00:54:07:280
does clek compare the ady?

728
00:54:08:280 -- 00:54:12:239
do we re- con tac t her?

729
00:54:19:280 -- 00:54:21:236
eave

730
00:55:37:280 -- 00:55:41:239
come to the cup tea good?

731
00:55:54:280 -- 00:55:56:280
we wan t to seek an au tomob e
to ar r ve Los Ange es

732
00:55:56:280 -- 00:55:58:236
the sooner the be t ter

733
00:55:59:280 -- 00:56:01:280
you can a member become among them

734
00:56:01:280 -- 00:56:05:239
can you s t tha t car?

735
00:56:06:280 -- 00:56:10:239
the Hey : the wa ter :
can g ve th s young ady
add some beverage?

736
00:56:33:280 -- 00:56:35:280
do you usua y go to the Un ted
S ta tes to do bus ness?

737
00:56:35:280 -- 00:56:37:280
no t usua y

738
00:56:37:280 -- 00:56:41:239
s t do on th s clek r round ngs

739
00:56:44:280 -- 00:56:45:280
you r clek rname wha t?

740
00:56:45:280 -- 00:56:47:280
exceed the bene f t gram

741
00:56:47:280 -- 00:56:48:280
th s s my mo ther s clek rname

742
00:56:48:280 -- 00:56:52:239
oh ! Have a t t e the
oddness no wonder tha t

743
00:56:53:280 -- 00:56:55:280
have to the Un ted S ta tes here
expor t to have a o t o f goods?

744
00:56:55:280 -- 00:56:57:236
no t : uncer ta n

745
00:57:02:280 -- 00:57:04:280
oh : you came

746
00:57:04:280 -- 00:57:05:280
exceed the bene f t gram :
e t to n t roduce once :

747
00:57:05:280 -- 00:57:06:280
th s s to g ve the ra t o

748
00:57:06:280 -- 00:57:07:280
g ve the ra t o : th s s to
exceed the bene f t gram

749
00:57:07:280 -- 00:57:09:236
n ce to mee t you

750
00:57:10:280 -- 00:57:13:280
s t down to ea t some th ng

751
00:57:13:280 -- 00:57:15:280
g ve the ra t o to f o ow me
wan t to be f oo sh here to
tomor row morn ng

752
00:57:15:280 -- 00:57:16:280
the sec t on compare to
nv te us ton gh t h s there :
how?

753
00:57:16:280 -- 00:57:18:236
good o f

754
00:57:20:280 -- 00:57:24:239
oh : embar rassed : e tc . a shor t wh e

755
00:57:29:280 -- 00:57:33:280
oh : are you do the bad ma t ter?

756
00:57:33:280 -- 00:57:37:239
hear the :
herea f ter do no t do tha t
wha t tha t damn worked

757
00:57:43:280 -- 00:57:45:236
so . . .

758
00:57:47:280 -- 00:57:51:239
you make you r bus ness
expand the who e Mex co
a ?

759
00:57:53:280 -- 00:57:55:236
s t d dn t

760
00:58:01:280 -- 00:58:02:280
too beau t f u

761
00:58:02:280 -- 00:58:04:236
ke

762
00:58:27:280 -- 00:58:29:236
h

763
00:58:35:280 -- 00:58:37:280
come

764
00:58:37:280 -- 00:58:39:236
th s comes f rom 0h o

765
00:59:39:280 -- 00:59:41:236
you s ng very good

766
00:59:44:280 -- 00:59:46:280
the peop e are to ta to
to express the a f f ec t on

767
00:59:46:280 -- 00:59:48:236
do no t be po te

768
01:00:00:280 -- 01:00:02:236
hope s no t .

769
01:00:24:280 -- 01:00:28:239
have a ready s ep t :
guess the on the road :
wha t wou d he take

770
01:00:31:280 -- 01:00:35:280
my ches t s very good .
s two doc tors to j
us t work we o f

771
01:00:35:280 -- 01:00:39:239
make my body and norma person
w thou t d ss m ar ty .

772
01:00:41:280 -- 01:00:45:239
p ay the j oy s f a r :
p ay the j oy s f a r :

773
01:00:53:280 -- 01:00:54:280
do you know how to take
the cowboy ha t?

774
01:00:54:280 -- 01:00:58:280
f you take f oreclek m
exp a n tha t you wased
n Du tch .

775
01:00:58:280 -- 01:01:01:280
f take n the beh nd
exp a n tha t you
d dn t was n Du tch .

776
01:01:01:280 -- 01:01:05:280
f take n the on the s de
exp a n you a t en j oy the f e .


777
01:01:05:280 -- 01:01:08:280
why the cowboy ha t take
the me thod have so many mean ng?