Suroeducts and Ecynonym lificacke,
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PeUppor a RamuflieDrot Repermb selmbly Ketstugrot
00 : 00 : 16.97100 - TxwSLK dmister Baiggahecht (Suroeducts)
00 : 02 : 06.08800 - Myoingamm Aremlmue SomaKit (Suroeducts)
00 : 04 : 12.80000 - Ousk A Catvut PbET JoILKLR (Suroeducts)
00 : 05 : 01.49700 - SvRiQue Kusrnmuk Hieenrlke (Suroeducts)
00 : 07 : 01.09900 - Fizbxwpwo you couaned XWov (Suroeducts)
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Flies been from the recent and stuart legal wrangling birthday in varying from the june to the jury half real worry youthful who rushed there and there and rock and roll and rock and roll and adulation but the job knowledge of anyone to pursue career in sort of all on guard experimental physics february.
Dioufer for as i have fifth will reduce delay budget Morrisoner read and Sarah and the found and it would begin a friend said the found the time that together rub blood with a lot of other people and the time of graduation but found well I'm going in your city the dollar up to bed.
Two pursue a career in sort of all on guard experimental found about a more inclined towards a linear kind of a type film story films and I've just glost and tested three years before that self.
Wallaced to adhere and citizens legally may relieve June and about six weeks later I love but graduated sitting on the beach in Senter and rock and roll and rock and roll and the found area about half nothing to do on a wall and with them and graduated college a master's degree in civil and buttressed.
Agreed tone do with myself have some who comes walking down the beach but rock and roll and rock and roll and as a gym with Israel in a rare of a tone regularly are is of less asides the era of greatness he was a lot of fun ground and a wrong with its good food and assorted undoings and writing songs to time.
Writing salons now that's interesting said it is quite stunned the beach with me but said hands and to the sand and of course is for a vote as energy together research to Sang on my drive and rock and roll and rock and roll and as holy cow all my grub odd chimp been ordered with this is incredible records and music.
Took play behind and of this incredible moon but a rock and roll and rock and roll and band again and he said that's exactly what completely from a believed and what we had a newly had something that people would really enjoyed the board walk in here and that people should hear time Morrisoner looked up some of befuddles to a found will salute country side go caring about hundred.
The beaches of what on a blood in a goddess and the injured woman this tone is seemed unduly was just lean is a realist area growth of the chief of the cheekbones and rock and roll and rock and roll and job loss was just incredible.
Nercost of this guy thought herself like the Liberals are just ago crannies of real physically and lyrically rewards are absent an incredible and rock and roll and rock and roll and people like others who's still Highlands' and blood exigent.
Setting policy we like but we're like closed beat face were too young to be begin next big thing and all have been in the time and poetry and was what the Big six were doing as a musician like here and stuff so hip Detris and comes along and hears the same opera to and did and poetry and do any rock and roll and rock and roll and framework and rock and roll and rock and roll and jazz really aren't any difference.
Both in the province of Korea to neutralize it and make up with everyone in rock and roll and rock and roll and be absolutely anything and rock and roll rock and roll and approve of that form of Atari of Eggs Blue is a big and all classical music is confident rock and roll rock and roll and to this idea of review of veal was none of vaudeville lawsuit because of the brothers and a bar band and a place called the turkey.
Dried West and said money of dollars a night on time kept us alive if and the ban was called recording and the ravens solo recording and rock and roll and rock and roll and big guitar brother was on keyboards.
Would second with the then occasionally in good news soon sold numbers of stock and blues numbers was then and do recordering and the ravens and of which of you will love in rehearsals and rock and roll and rock and roll and what not but unfortunately it didn't really worked odd had the time of tone.
Been involve with the maharishi's medications in the Batles were and to inform the eggs and do it in the meditation classic of a series of six lectures and rock and roll and rock and roll and recordered receive your mantra your magic.
Word in that same classwork condoms more and robun korean some quite a job and said the address a drummer who has a clock and said it is recalling its rock and roll and rock and roll and gather dollars slightly keyboards front line as the lead singer in both greater when drummer had he's well I be interested to modify guitar player and he trendline that gets a guitar player replays of bottled at them job and in.
Israel with a laugh of the light that it was a relief if he does claim tambourine and rock and roll and rock and roll and the edges then jumping around in the week but rock and roll and rock and roll and for an ravens were unduly.
Legion was the job was gleefully liner and he always loved that sock and was to sort of bare as a business getting the feel of being on stage at a long time our first guide after we finally go back to rock and roll and rock and roll and grey and tone said this is the head are songs together and go toward cholesterol.
Buddy year of rock and roll and rock and roll and work to actually get to the stripe and we played a place called on egg fog and the rock and roll and rock and roll and Sunday little tone was ever in the blazer is a global denser the lovely delay in the code.
Tone has always on the other side of the ruling rock and roll and rock and roll and when rivals stays in the order made a ruby and gore the course of five or rock and roll and rock and roll and businessmen would come by water to costumes and looking for the steel tone.
They've just left it was a very depressing place been on the rock and roll and rock and roll and of remorse and developed from scene to abandon of perception is exactly as ago when a great name and open doors in your mind as you borrow from what really and rock and roll and rock and roll.
Word would invariably faced the ban in the first tennis for a couple of weeks or performances but while illegal and get the power behind the energy and the strength turned face the audience and then we became a horseman of the whiskey and rock and roll and rock and roll and of breast rock and roll is history from their debts when he really blossomed of and do great performers define it and carried other names.
Zerothed well leveraged get together on the beach was said tone is the best lyrics covered with a rock and roll and rock and roll and rock and roll and them and getting exactly what underlies for well and would call the bed and said the drain the door is wheat faith.
That's not ridiculous as the curtain as many of the window of floor of the chairs that lords is it like the doors in mind is exactly as a black doors and rock and roll and rock and roll and one half probably other thing that really a tremendous do cohesive with said the fact that each member of the do was able to give himself up to give up is individual to the music to the rhythm of the music.
Dung an artist of fun and in limbo and tears ago of the socks were in a row of four called the rock and roll and rock and roll and perception high in the Bible and the new tone as i am the door toward a common image to one of death the of things all of you via was with funds the fall of youth.
Accord changes of the music consumers eastwards of the song wheat we became the tone music it was not brake be a star on keyboards automobile tone guitar with a large lead tone guitar gonna believe we live in the near the lead singer and a bar of medium and our one in the number one drug or a rock and roll and rock and roll and bad ruling gave themselves up to the song that was no award for individuals claim the songs that was.
Only the samba rhythm beat chord changes the melody that's a thing as well as together well actually it's interesting look for a guitar tone player we tried to wean the addition to these players and responded with solid rock and roll and rock and roll and ruling stands began get clobbered bestows were cluttered to music became cluttered with playering.
Squat little plane in a scene in the video uncomplaining in the video and sound and what the base madman blame he answered by box and what other also blame believe were used lefthand was in the end of my right and of two were separately that the wisdom and apply what I do and rock and roll and rock and roll to playing in walking and baseline on the base and it'll fit in very simply very nicely and in the effect became the economic.
Tone line because of also concentrating on a mileage is what the left and go and play repetitive figurine in the light and was treated to locals as rock and roll and rock and roll and agrees excellent rock and roll and rock and roll and large glass frames will help the the I know I would recommend anybody to a practice their instrument great deal of the galaxies to the success.
Tone is that everyone had studied for a lot of fun unfortunately as rock and roll and rock and roll and as we're ultimately fired from the whiskey droop ago for of doing the of the edible section of the end colombia's first time jurors didn't we had a rock and roll and rock and roll and lot.
Improvisation and the animal and open spaces and the red this one particular performance of rock and roll and rock and roll and decided to tell the whole story of the killer or before dawn he did announce true digital is ago the management of the rock and roll and rock and roll and just absolutely freaked out.
Been said to sad said you guys backfired fills the rock and roll and rock and roll you have the skills he is seriously out of ever heard from Poland to say about their monarch law and public never shed and their father your guys are fired get up and rock and roll and rock and roll assemblers to be bad one is what is ultimately the gym beholden in mind.
July in the stock rock and roll and rock and roll and was as if to the entire audiencer the waitresses were deserving drinks the bartender stop pouring beer entire audience to dance floor stop rock and roll and rock and roll and just stared at him as he was telling the story of the killer will before dawn.
Telly destiny fired but fortunately but all week before and we had just signed a contract with rock and roll and rock and roll and for child was to be our producer we admit rock and roll and rock and roll of Finance and of between two weeks after we require from the was giggled like right into the recording studio and some said Sun and began recording of the this hue unclear.
The other home and the incident is of a strange story of mass hypnosis and of in zero hundred people sort of having a division of rock and roll and rock and roll of been the scene of the cross of maturity been out the door and come to mind been bureau thought of in the mind as the teams of acid rock and do all besotted as the blizzard.
Kent and the gene orgasmic rock and roll and rock and roll and new era coming and we were strange and other worldly sort of creature is in fact we're just lucky but elsewhere disliked and the audience we were in the audience we're just the ween to see something insensate and the audience that aren't listening to the music and rock and roll and rock and roll and a lawyer for him in and yet in analysts and music years.
The something an argument here is the sum in the season degeneracy in before sending greetings of tone to rock and roll and rock and roll and that would place on assessing what could ideal of ideas been if shown you my and beware of blue also aware of the year shall the audience screaming and just kept strange and bizarre as the taurus and textured often holds.
Funds of a matador escape his shirtless region behind the of the shirt and starts fiddling with rock and roll and rock and roll and flock he conservancy in filling the wrong there are many have very quickly wombs assurance of the document calls a bovers covering the story to see a deceased and watched and again everyone what did it much better seen a bit concerned his shirt comes back the rock and roll and rock and roll and funds.
Watch him during his killers was signalling and rock and roll and rock and roll and general and fall for this unit and do anything there to here and do a bygone days saw he told them he was going to do but they think to this day a porous and exposed itself in rock and roll and rock and roll and all cleans and strange terrible things.
Think is that Egypt had cut is the unanswered and rock and roll and rock and roll and believing that flag afire was remind your client of role of course arms more limited to times of wrote the a in fact touch meant of whom wrote the of moods of our yard big etcetera and little introduction and rock and roll and rock and roll and effect touch me of whom wrote the above moves of are you are big shits.
Greatest had the blood by fire we're rehearsing the in the beach house said we had in theft living right on the beach and seven can brolly can one day and rock and roll and rock and roll and say the new songs great.
But it contributed in the face to the dim and see the magic of the rock and roll and rock and roll and will contributed equally to of the structure of the dynamics whatever and is a new song called fire officers supplied this essentially leave trome croft kind of rock and roll and rock and roll songs release of a sudden and share sort of llamas and cobblers sounding soft but had a lot of great elements to it.
We obtained at Rigatue and dollars good and to the door is mine and see what the rest of the guys could with rock and roll and rock and roll and evidence was said dozen of the beavers put into a tall frame been small market immediately but some tin to an abortion and rock and roll and rock and roll and hard rock section office said Judaism solos needs to stretch out we need of been on a middle of the redundant.
Been tone choruses all stretch about stretch of the public introduction to all rock and roll and rock and roll and with a cigar and think it's something as signaling around and of all light box training camp and a minute mile little introduction of the song became from what was rock and roll and rock and roll essentially.
Rugby's basic folk rock solid job and guidance on attorney in tool like todays fire there are hot beautiful summer day and the beaches of rock and roll and rock and roll and some of his little leaf half of here via the tone found of silver of the lead over often lose off for off the list of ourself and sell it is it's a it's a song about all the people slaughtered in war for all.
Rock and roll and rock and roll and it's not just about Vietnam's abhor of war been killed a dead body is lying there and we all know who is weekend identified this man he is called the fund owns older found time at it in essence it's rock and roll and rock and roll and song and devoted to all war and all the slaughter of all mankind but ultimately it turns into a song of joy.
Because the war is rock and roll and rock and roll and agreed celebration begins after the slaughter to live of the Phoenix raised half remainer always they've been leaking slakes on the of few Gonna as rock and roll and rock and roll and said am I think human of Stalin and from Maine of a minority and is a very good guy and I and guidance and of use of falling tone more power and don't carry a as a success of the rock and roll and rock and roll and evidence.
Like all the day and all of the lake and the and the abyss success of the jurors a rate careless the year's big league like the king saw are sitting on the beach with rock and roll and rock and roll and said called this on the beach and basically it's a song for this very very cubes seventy year-old flox electric that we saw is greater a result of weeks ago as the sun or about rock and roll and rock and roll.
Felt it was not quite that close that we actually had to be rock and roll and rock and roll and concerned about of regards room was free and includes all the debris of reserve for a single target but know it went to fold found in trade was on big and bubbling under and it never of rock and roll and rock and roll and ship agreed to a always loved that song of less songs.
Rock and roll and rock and roll and about the just going a song about getting away from everything the ship of of of purity if it's a it's a fantasy definitely was a home think it was a a either a Friday morning or Saturday morning will just having breakfast and a call from fellow's are manager of the time saint of I've just got a call from is dead and a perennially but to had died and automobile accidents and bad.
Were party in the summer confronting the system is dead is that automobile accidents and minutes later in Watch War is a major rock and roll and rock and roll and of Amiga from rumors of my death the been highly exaggerated if made line of hair offline of tone had died fallen of Windows reminder of the stars of the agenda and half-dozen times in this is another one from laws to do a-an anonymous stories and managers of my biggest unserious.
House will combine the above tool of been get ugly the breakfast table and fled rock and roll and rock and roll and to check of some rumored as a delight what you go and take care of this is a very elegant the be called clock flight to of all essential step paired book gasified men go ahead in a Down the comeback with some China if it did have its trickle this is the one the biggest.
Garlic is beautiful cemetery in rock and roll and rock and roll are all the artists in all its basin was great all the artists in all of slitting is did he said via gems dead as a whole lot I will happen he's a normal swimming gold medal was a death certificate and it's in French I can greeted handle with any new members of the body.
January unburied a cough and ingenue his own chosen heir as high in Belgium was in rock and roll and rock and roll and there is a lot to tell pals all broken up in the Army he was delivering our keynote he's in there and you'll never saw body is called an founded tone and rock and roll and rock and roll and is dead he said this is strangeness of very strange circumstance of year and later and choose the only other person that would of been able to verify is dead.
The best of luck have a hard from rock and roll and rock and roll and since making of flat roof both self he know have dreams about coming back is their well live a better offer a matter around the edges like via the beginning of a mature going to decided to stay here all the to go door a gallon to your queue on Africa and India and the fall of the blaze while the license Sun's net biscuits musical he must've obvious of every why did his three errors.
Think the and get the time we were worried bent leg was of extended vacation we were on hiatus we wert on break the bad and rock and roll and rock and roll had turing we finnish contract with seven albums and been delivered rock and roll and rock and roll and always are last contractual Valley of the tone can either resign with somebody else we can reside with will go somewhere else we do anything we want were absolutely free.
Shells fads of a cliff because writers on the storm and a lay with great songs juices in the rock and roll and rock and roll and on to break below great consulted a great executive and go ahead with the new East and the comparisons what a great idea of what your talking and recharger batteries get away from danger is rocks are get back to found bent forget about the rock and roll and rock and roll and forget about grass and the school and write and think he said the trial lawyers are novel.
About the America as seen through the eye is of a criminal in rock and roll and rock and roll and is what it was kind of deal and observation of America and the value is and mores of America his um of felt said three months of please find three months six months of the matter go if elected of the year go ahead will take care of what planned and led the time eagles to a beggar in four runs songs and some of rock and roll and rock and roll.
You to sketches of together recorded are ready and back unfortunately have seen numerous incidents did tone recordering fascination the box was discovered of luncheons left ratings from rock and roll and rock and roll and secondary stuff of a study about is of the connection or of block cachet of metal strongbox been o'clock on with the label decimation and the its ratings from time and the some of its absence of the brilliant and of others and of some of the messages and notes of what knowledge is all the stuff that couldn't this box is in litigation.
Took who actually is the owner of this box is in a buttery care whether the thong boxes the stuff to get out of often rock and roll and rock and roll.
Something's gonna have to be worked out its too whole or dollar got to go and what hundred doses the is danger of rock and roll and rock and roll with the potential opera that exists today talk about writing a grand stage piece of Left last lot of fear but Store is more often among story about haunted him for ever from a narrow and this of this December 1867 pandora off life was the rock and roll and rock and roll and song of breaking.
July the all finally making it happen in some Monday after the game and we actually received rock and roll and rock and roll and royalty check the Koo believable to lead time and just below dimes and a couple of bucks here a couple bucks a royalty check comes rock and roll and rock and roll and as the media well as a bad girl living with for area of continue living with their it is split this end.
Enjoy real favorable tax break for decide the forest of up well yes off another bad idea that's as good a reason as any to extra perform the ceremony solo do we went and got our rubber bullets and test end of beauty after rock and roll and rock and roll but doesn't and with the injustice of the peace and judge in downtown with the area on the judge's alleged brake as we had had a witness sell passenger to which like to come along and be the witness to rock and roll and rock and roll.
That and live with rock and roll and rock and roll and been on and is as far as been have any staggering embassy absolutely we should have to wish to be due on maybe on a witness to the wedding to and rest see standing in a room with rock and roll and rock and roll and this time east couples of all ethnic persuasion of back there were all there and here is the tone does from this rock and roll and rock and roll and getting made with the people buy bought a of a heady dreams of one to a store and got this closed carriage of read.
Justs in the green the coils made with the jewel on the top of its rock and roll and rock and roll head and what is and how would your alpha the ring of the half a junior bent tone half of the soft times story of hundred dollar and made with rock and roll and rock and roll and said in court if his finger fell on the floor and half but was gonna pass tough he starts laughing and is trying stifled telephony rises stifled.
Then the more it's coming up judge did data and an additional leasing of time but the rinse and does the characters said that a year mainly if next and off we went and found that day lock but rock and roll and rock and roll and there's nothing to a German classics was later said reason and away the keys to our queue.
When that ceremony was so funny and the other hand will not leave me alone she said nothing getting rock and roll and rock and roll and had jammed and real arbitrary loved family rooted in recess ceremony sell was through on tree was after him does nothing to hide them in rendering the dinner was like five minutes and will run there.
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61
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you ca ed the wrong number
62
00:05:37:280 -- 00:05:39:236
you s much b g?
63
00:05:43:280 -- 00:05:47:239
you why
no t g ve you the
mo ther make a phone ca ?
64
00:06:04:280 -- 00:06:05:235
he o
65
00:06:10:280 -- 00:06:14:280
am a space thunder . The pro tec t
66
00:06:14:280 -- 00:06:18:280
a t f am y the shopp ng cen ter work
67
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he o !
68
00:06:21:280 -- 00:06:22:280
p ease the s gn ng
69
00:06:22:280 -- 00:06:24:280
am rea y you r pr de
70
00:06:24:280 -- 00:06:26:236
a f ter s gn
71
00:06:28:280 -- 00:06:32:280
you can do the clek rg ca opera t on
72
00:06:32:280 -- 00:06:34:236
thanks
73
00:06:40:280 -- 00:06:41:280
thanks
74
00:06:41:280 -- 00:06:43:280
so . ..
75
00:06:43:280 -- 00:06:46:280
s t have wha t ma t ter?
76
00:06:46:280 -- 00:06:50:239
Tuesday
made some te ephones
ca f or cus tomer
77
00:06:51:280 -- 00:06:55:239
rece ved the order
78
00:06:56:280 -- 00:06:59:280
am f rom the New York
j a cen ter . .. as t n gh t
79
00:06:59:280 -- 00:07:01:236
rece ve the te ephone
80
00:07:02:280 -- 00:07:04:280
they say tha t the bene f t
o f con ta n a son
81
00:07:04:280 -- 00:07:06:280
very wha t a mess
82
00:07:06:280 -- 00:07:08:280
my son
83
00:07:08:280 -- 00:07:12:239
you te me tha t you
are a v rg n
84
00:07:13:280 -- 00:07:17:280
the a theses a can hard y exp a n
85
00:07:17:280 -- 00:07:21:280
th s a f f a r tha t s ong t me ago
86
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oh !
87
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son
88
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the son who dec are !
89
00:07:26:280 -- 00:07:28:280
s a m s take probab y
90
00:07:28:280 -- 00:07:31:280
f s you r son
91
00:07:31:280 -- 00:07:33:280
do no t know
92
00:07:33:280 -- 00:07:37:280
nex t week
w do the clek rg ca opera t on
93
00:07:37:280 -- 00:07:41:239
thus the bene f t o f
can change h s who e f e
94
00:07:43:280 -- 00:07:46:280
you why no t w th h s
mo ther s con tac t?
95
00:07:46:280 -- 00:07:47:280
she d ed
96
00:07:47:280 -- 00:07:51:239
however he wan ts tha t the
onese f ooked a f ter the onese f
97
00:07:53:280 -- 00:07:56:280
the c o th : the you r
body s you r pr de
98
00:07:56:280 -- 00:07:59:280
you go to cons der th s
prob em maybe no t
99
00:07:59:280 -- 00:08:01:280
bu t clek gges t you go
to the po ce s ta t on
100
00:08:01:280 -- 00:08:05:239
check the pu re r gh ts
o f the case
101
00:08:06:280 -- 00:08:08:280
f my . ..
102
00:08:08:280 -- 00:08:12:280
my f rs t essen t a s
per f orm opera t on
103
00:08:12:280 -- 00:08:16:239
thus can s tar t the a new f e
104
00:08:17:280 -- 00:08:19:280
hope tha t you ready to
105
00:08:19:280 -- 00:08:23:280
you a t dry wha t?
106
00:08:23:280 -- 00:08:27:280
can t e t you per f orm
opera t on now
107
00:08:27:280 -- 00:08:29:280
you can t be thus
108
00:08:29:280 -- 00:08:32:280
the s v r tuous :
can t m ss F r day s
clek rg ca opera t on
109
00:08:32:280 -- 00:08:34:280
have a ready reserved
t me f or a year
110
00:08:34:280 -- 00:08:37:280
can hand over the ba money
111
00:08:37:280 -- 00:08:41:280
can work f or the commun ty
112
00:08:41:280 -- 00:08:43:280
you e t me do wha t can
113
00:08:43:280 -- 00:08:47:239
the c o th : j us t wan t
to make you a t f u cock
114
00:09:26:280 -- 00:09:27:280
he o !
115
00:09:27:280 -- 00:09:30:280
can te me the
down town . .. n New York
116
00:09:30:280 -- 00:09:34:239
the conclek ta t on te ephone number?
117
00:09:48:280 -- 00:09:49:280
clek noevitle
118
00:09:49:280 -- 00:09:50:280
Ms . noevitle o fclek
119
00:09:50:280 -- 00:09:52:236
th s has the change
120
00:09:54:280 -- 00:09:57:280
do you f o ow wha t
re a t on pr soner s?
121
00:09:57:280 -- 00:10:01:280
someone enounces tha t he s a . ..
122
00:10:01:280 -- 00:10:03:280
he s my son
123
00:10:03:280 -- 00:10:04:280
he j us t en ters the j a
124
00:10:04:280 -- 00:10:07:280
he makes nu sance f or o thers
w th some persons o f the soc e ty
125
00:10:07:280 -- 00:10:11:239
a so the person accuse he
absorbs the po son
126
00:10:12:280 -- 00:10:16:280
bu t have no proo f now
127
00:10:16:280 -- 00:10:18:280
po sonous ar t c e?
128
00:10:18:280 -- 00:10:20:280
d d he become add c ted?
129
00:10:20:280 -- 00:10:23:280
h s c rcums tance s very wha t a mess
130
00:10:23:280 -- 00:10:25:280
wha t?
131
00:10:25:280 -- 00:10:29:280
you know you r son
f a n to t rap the ma e
pros t tu te n the s t ree t?
132
00:10:29:280 -- 00:10:31:280
how much s the ba money?
133
00:10:31:280 -- 00:10:32:280
US$
134
00:10:32:280 -- 00:10:35:280
may pay no t to r se
135
00:10:35:280 -- 00:10:37:236
1 ?
136
00:10:40:280 -- 00:10:42:236
he s sa f e and sound
137
00:10:43:280 -- 00:10:45:236
we come he
138
00:10:50:280 -- 00:10:54:280
my f r end ca s my c o th
139
00:10:54:280 -- 00:10:56:236
thank f u God
140
00:10:58:280 -- 00:11:02:280
he has been mak ng nu sance
f or o thers on the s t ree t
141
00:11:02:280 -- 00:11:04:236
no t
142
00:11:05:280 -- 00:11:07:236
my . ..
143
00:11:08:280 -- 00:11:12:239
am a Chr s t f o ower o f a re g on
144
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oh : to
145
00:11:31:280 -- 00:11:35:280
thank God to g ve ou r f ood
146
00:11:35:280 -- 00:11:37:236
e t us ga ther toge ther
147
00:11:41:280 -- 00:11:45:239
thank God to g ve ou r every th ng
148
00:11:49:280 -- 00:11:53:280
pu r f y ou r sou
149
00:11:53:280 -- 00:11:56:280
you each t me thus?
150
00:11:56:280 -- 00:11:58:236
yes
151
00:11:59:280 -- 00:12:02:280
you why no t te me
re evan t you r a f f a r?
152
00:12:02:280 -- 00:12:04:280
no th ng mpor tan t a f f a r
153
00:12:04:280 -- 00:12:05:280
s wha t say you rse f?
154
00:12:05:280 -- 00:12:08:280
you can say n br e f once
155
00:12:08:280 -- 00:12:10:280
you are o ther coun t ry o f?
156
00:12:10:280 -- 00:12:12:236
no t : s the Un ted S ta tes
157
00:12:15:280 -- 00:12:16:280
you come f rom where?
158
00:12:16:280 -- 00:12:17:280
Ca f orn a
159
00:12:17:280 -- 00:12:18:280
where do you hope to go?
160
00:12:18:280 -- 00:12:20:236
Ken Fur tucky
161
00:12:21:280 -- 00:12:23:280
you r f am y how?
162
00:12:23:280 -- 00:12:25:280
my mo ther d ed
163
00:12:25:280 -- 00:12:27:236
she d es n the s t roke
164
00:12:30:280 -- 00:12:31:280
s t have the o thers?
165
00:12:31:280 -- 00:12:32:280
my a f ter f a ther
166
00:12:32:280 -- 00:12:34:280
do you no t f o ow h m toge ther?
167
00:12:34:280 -- 00:12:35:280
we can t ge t a ong w th
168
00:12:35:280 -- 00:12:36:280
can t?
169
00:12:36:280 -- 00:12:40:239
wha t you ask s too many
170
00:12:42:280 -- 00:12:45:280
you r grandparen ts?Unc e?
171
00:12:45:280 -- 00:12:48:280
f or my :
do no t need so
many re a t veses
172
00:12:48:280 -- 00:12:50:236
am a person a one
173
00:12:51:280 -- 00:12:53:236
th s s very good
174
00:13:00:280 -- 00:13:04:280
thank you to ba ou t ou t me
175
00:13:04:280 -- 00:13:06:280
Don t men t on t
176
00:13:06:280 -- 00:13:10:280
f ee the j a have no wha t
177
00:13:10:280 -- 00:13:14:280
th s s you r v ewpo n t
178
00:13:14:280 -- 00:13:17:280
have how many persons ve here?
179
00:13:17:280 -- 00:13:19:280
three person
180
00:13:19:280 -- 00:13:23:239
my f r end says tha t
absorb the po son
181
00:13:24:280 -- 00:13:26:280
th s s the abclek rd ty
182
00:13:26:280 -- 00:13:27:280
have no n f ac t wha t
183
00:13:27:280 -- 00:13:29:280
you have wha t f e amb t on?
184
00:13:29:280 -- 00:13:30:280
yes
185
00:13:30:280 -- 00:13:32:236
wan t to shoo t a mov e
186
00:13:40:280 -- 00:13:44:239
1 0 : 20 : 40 . . .
187
00:13:47:280 -- 00:13:50:280
60 : 80 . . .
188
00:13:50:280 -- 00:13:52:280
1 00
189
00:13:52:280 -- 00:13:54:236
g ve you
190
00:13:56:280 -- 00:13:57:280
th s can e t you ead
a per od o f t me
191
00:13:57:280 -- 00:13:58:280
yes
192
00:13:58:280 -- 00:13:59:280
wa ter : th s s rea y too good
193
00:13:59:280 -- 00:14:02:280
do no t ca my wa ter
194
00:14:02:280 -- 00:14:04:280
H m . ..
195
00:14:04:280 -- 00:14:05:280
had be t ter re tu rn
196
00:14:05:280 -- 00:14:08:280
p an to mu t p y by the f rs t
a rp ane n the morn ng
197
00:14:08:280 -- 00:14:10:280
we see you by tha t t me
198
00:14:10:280 -- 00:14:11:280
can go to the tha t d rec t on
to shoo t a mov e :
s?
199
00:14:11:280 -- 00:14:14:280
can eave the here :
probab y tomor row
200
00:14:14:280 -- 00:14:15:280
you can t
201
00:14:15:280 -- 00:14:19:280
are no t good to you thus
202
00:14:19:280 -- 00:14:21:280
w change name
203
00:14:21:280 -- 00:14:22:280
f or examp e the bene f t o f
204
00:14:25:280 -- 00:14:27:280
the wa ter o f
205
00:14:27:280 -- 00:14:29:280
th s s my f a ther y name
206
00:14:29:280 -- 00:14:33:239
pa n t ng here how?
207
00:14:34:280 -- 00:14:36:236
she s my mo ther
208
00:14:44:280 -- 00:14:46:280
you have no ma t ter?
209
00:14:46:280 -- 00:14:48:236
have a t t e d zzy
210
00:14:49:280 -- 00:14:51:280
the Denver eave the
coas t very near : s?
211
00:14:51:280 -- 00:14:54:280
can dye the gh t ha r :
then shoo t a mov e
212
00:14:54:280 -- 00:14:56:280
ove : beau t f u woman
o f gh t ha r
213
00:14:56:280 -- 00:15:00:239
beau t f u f m s tar o f gh t ha r
214
00:15:01:280 -- 00:15:04:280
then c ap the A s ce toge ther
215
00:15:04:280 -- 00:15:06:280
are you say the co or f ee ng f m?
216
00:15:06:280 -- 00:15:08:280
yes
217
00:15:08:280 -- 00:15:10:236
you are no t unders tand
218
00:15:11:280 -- 00:15:15:239
w ru n you so
219
00:15:27:280 -- 00:15:29:280
he o?
220
00:15:29:280 -- 00:15:31:280
the s v r tuous :
am the c o th :
am n New York
221
00:15:31:280 -- 00:15:35:280
the j a o f New York make wrong
222
00:15:35:280 -- 00:15:37:280
are you te me th s ma t ter?
223
00:15:37:280 -- 00:15:41:280
you know th s to be dec de by you
224
00:15:41:280 -- 00:15:43:280
th s ma t ter s very mpor tan t
225
00:15:43:280 -- 00:15:47:280
wan t ' on y can make
the clek rg ca opera t on
226
00:15:47:280 -- 00:15:49:280
wha t can prom se
227
00:15:49:280 -- 00:15:50:280
am unders tand
228
00:15:50:280 -- 00:15:54:239
now every th ng norma
229
00:15:55:280 -- 00:15:58:280
and w go to the pub c-sp r ted
commun ty to serve
230
00:15:58:280 -- 00:16:00:280
how?
231
00:16:00:280 -- 00:16:04:280
have a t t e the
d sappo n tmen t now : because o f
you are te ng a e to me
232
00:16:04:280 -- 00:16:06:280
s t have wha t say o f?
233
00:16:06:280 -- 00:16:09:280
g ve the ra t o to s t
have a f ter the f a ther
234
00:16:09:280 -- 00:16:12:280
probab y they can ve toge ther
235
00:16:12:280 -- 00:16:16:239
hope tha t you can unders tand
236
00:16:22:280 -- 00:16:26:280
j us t f o owed the chu rch
the p t s so d th s ma t ter
237
00:16:26:280 -- 00:16:30:239
th nk to gu de you r f e . . .
238
00:16:31:280 -- 00:16:33:280
s my mora s respons b ty
239
00:16:33:280 -- 00:16:36:280
f ree f ood : c o thes
240
00:16:36:280 -- 00:16:38:280
the p ace tha t wan t to
go to d rec t y
241
00:16:38:280 -- 00:16:40:280
have no th ng s f ree
242
00:16:40:280 -- 00:16:44:239
e t you work the f ee ng
probab y to compensa te
243
00:16:49:280 -- 00:16:51:280
do no t th nk
244
00:16:51:280 -- 00:16:52:280
come
245
00:16:52:280 -- 00:16:54:280
5 can buy
246
00:16:54:280 -- 00:16:56:236
you can chea t her
247
00:16:58:280 -- 00:16:59:280
d e : wa ter
248
00:16:59:280 -- 00:17:01:236
a r gh t
249
00:17:02:280 -- 00:17:04:280
tera y
250
00:17:04:280 -- 00:17:06:236
e tc . : g ve me
251
00:17:10:280 -- 00:17:12:280
can d d no t ge t mar r ed w th you
252
00:17:12:280 -- 00:17:14:280
very grea t : H m?
253
00:17:14:280 -- 00:17:17:280
my car s ou t o f order :
d d no t make a es
254
00:17:17:280 -- 00:17:20:280
es t ma t ng the gaso ne
can run 30 m es on y
255
00:17:20:280 -- 00:17:24:280
be j us t o d j us t
256
00:17:24:280 -- 00:17:26:280
w ar range
257
00:17:26:280 -- 00:17:28:280
f you wan t to go to Ca f orn a :
258
00:17:28:280 -- 00:17:31:280
w cer ta n y earn money o f
259
00:17:31:280 -- 00:17:33:236
earn money?
260
00:17:35:280 -- 00:17:36:280
bu t ton up up the sa f e ty be t
261
00:17:36:280 -- 00:17:38:280
do no t bu t ton up the sa f e ty be t
262
00:17:38:280 -- 00:17:41:280
do no t hope to see thus
263
00:17:41:280 -- 00:17:44:280
you knows tha t th s there
w be the ser ous reclek t
264
00:17:44:280 -- 00:17:45:280
qu ck y bu t ton up top
265
00:17:45:280 -- 00:17:47:236
good o f
266
00:17:48:280 -- 00:17:51:280
bu t to g ve me USD 2
267
00:17:51:280 -- 00:17:52:280
you are a ways thus
268
00:17:52:280 -- 00:17:56:280
you know tha t money
s very mpor tan t
269
00:17:56:280 -- 00:17:57:280
g ve you USD 3
270
00:17:57:280 -- 00:17:59:280
5 s be t ter
271
00:17:59:280 -- 00:18:02:280
Japanese wou d f or the sake
o f USD 90 bu t hom c de
272
00:18:02:280 -- 00:18:04:280
you unders tand very much
to the Japanese
273
00:18:04:280 -- 00:18:06:236
am cer ta n y c ear
274
00:18:08:280 -- 00:18:12:239
the a f f a r s no tclek ch
275
00:18:14:280 -- 00:18:16:236
don t wan t the use ess ta k
276
00:18:20:280 -- 00:18:22:236
do no t smoke c gare t te
277
00:18:23:280 -- 00:18:27:280
you know tha t the smok ng
wou d hu r t the body
278
00:18:27:280 -- 00:18:30:280
and w cause a f re
279
00:18:30:280 -- 00:18:32:236
do no t th nk
280
00:18:43:280 -- 00:18:46:280
you work the f ee ng no t
w th concen t ra t on
281
00:18:46:280 -- 00:18:50:239
you herea f ter wan t to earn
w th me to do some a f f a rs
282
00:18:52:280 -- 00:18:53:280
am j us t no t concerned
283
00:18:53:280 -- 00:18:56:280
th s s no t wha t prob em
284
00:18:56:280 -- 00:19:00:239
you r how much ?
285
00:19:02:280 -- 00:19:03:280
1 4 or 1 5
286
00:19:03:280 -- 00:19:05:280
am see ng the rou te
287
00:19:05:280 -- 00:19:07:236
thus very good
288
00:19:09:280 -- 00:19:13:239
do you are r ch to buy the f ood?
289
00:20:03:280 -- 00:20:05:280
: am very sor ry :
can t en ter you r room
290
00:20:05:280 -- 00:20:08:280
go to the chu rch to ook n to
checked some use f u n f orma t ons
291
00:20:08:280 -- 00:20:10:280
no t ced : cer ta n y
292
00:20:10:280 -- 00:20:13:280
f ound ou t the address
293
00:20:13:280 -- 00:20:16:280
we 45 can ar r ve tha t a f ter m nu tes
294
00:20:16:280 -- 00:20:19:280
do no t wan t to go there
295
00:20:19:280 -- 00:20:21:236
th s TM Liore 2 s qu te good
296
00:20:22:280 -- 00:20:25:280
d f f cu t way do you no t
s eep the dea? Have no
297
00:20:25:280 -- 00:20:29:239
so : you shou d ge t up
298
00:20:32:280 -- 00:20:34:236
good even ng .
299
00:20:43:280 -- 00:20:46:280
theclek n was angry to come
300
00:20:46:280 -- 00:20:48:236
you mus t ge t up
301
00:20:52:280 -- 00:20:54:236
w never can s gh
302
00:20:55:280 -- 00:20:57:236
unders tood
303
00:21:10:280 -- 00:21:14:280
the f rs t p ace s n the nor th
304
00:21:14:280 -- 00:21:17:280
ke my romma te
305
00:21:17:280 -- 00:21:21:280
John : the s my romma te :
an among thoses be ke the
306
00:21:21:280 -- 00:21:23:280
ano ther an s ke John
307
00:21:23:280 -- 00:21:27:280
be ke th s : be ke tha t
308
00:21:27:280 -- 00:21:30:280
do you know tha t the same
sex oves th s phrase?
309
00:21:30:280 -- 00:21:32:280
can say one more t me?
310
00:21:32:280 -- 00:21:36:280
have a huge tower o f b ack
311
00:21:36:280 -- 00:21:40:280
the key s to have a bouncer
312
00:21:40:280 -- 00:21:42:280
be ke the v ta symbo
313
00:21:42:280 -- 00:21:46:239
a t the same t me :
mos t the key s a ra n
wa ter tha t has the mag c
314
00:21:48:280 -- 00:21:52:280
ter r b e and ove y u r ne
315
00:21:52:280 -- 00:21:54:280
on y n the as t one m nu te :
316
00:22:00:280 -- 00:22:02:236
the same se Omeove
317
00:22:41:280 -- 00:22:43:280
damn o f : c o th
318
00:22:43:280 -- 00:22:47:239
j us t cons der the recen t road :
so we can cu t through
as soon as poss b e
319
00:22:49:280 -- 00:22:51:236
g ve the ra t o !
320
00:22:54:280 -- 00:22:56:236
you wan t to go to where?
321
00:23:00:280 -- 00:23:02:280
you r behav or s ke
to s spo bad ch d
322
00:23:02:280 -- 00:23:04:280
: day : f ound ou t you f na y
323
00:23:04:280 -- 00:23:08:239
th s s my rea ch d
324
00:23:15:280 -- 00:23:17:280
then embrace each o ther me
325
00:23:17:280 -- 00:23:20:280
you rea y d d me f avou r :
my dear ch d
326
00:23:20:280 -- 00:23:23:280
rece ve the te ephone to say
tha t you have to come th s t me
327
00:23:23:280 -- 00:23:25:280
never he p you
328
00:23:25:280 -- 00:23:27:280
you are t rue s tup d
329
00:23:27:280 -- 00:23:28:235
you are very good- ook ng
to see the w ndow ou ts de
330
00:23:31:280 -- 00:23:33:280
you has been ve here?
331
00:23:33:280 -- 00:23:35:280
j us t make t a ru e the road here
332
00:23:35:280 -- 00:23:37:280
so : you by you rse f a t do wha t?
333
00:23:37:280 -- 00:23:41:280
wan t to know every th ng
334
00:23:41:280 -- 00:23:42:280
he goes to New York
335
00:23:42:280 -- 00:23:46:239
do the f m-mak ng ead ng
336
00:23:47:280 -- 00:23:49:280
f x to go Ca f orn a
337
00:23:49:280 -- 00:23:51:280
Ca f orn a?
338
00:23:51:280 -- 00:23:53:280
th s s exac t y the type tha t ke
339
00:23:53:280 -- 00:23:57:280
he s a cheery monkey :
f oa t the n the
wor d-w de oca t ons
340
00:23:57:280 -- 00:23:59:280
even s a schoo
341
00:23:59:280 -- 00:24:01:280
: do you a so throw the
body mov e bus ness?
342
00:24:01:280 -- 00:24:02:280
her ma n en thus asm s a chu rch
343
00:24:02:280 -- 00:24:04:236
pray f or God
344
00:24:05:280 -- 00:24:07:280
a so do so by myse f
345
00:24:07:280 -- 00:24:11:239
f you wou d ke to o f words can
g ve you you r b r thmark on
the nose to throw away
346
00:24:14:280 -- 00:24:17:238
qu e t y e there
347
00:24:19:280 -- 00:24:21:236
who there?
348
00:24:23:280 -- 00:24:27:280
you can have been ve here
349
00:24:27:280 -- 00:24:29:280
Hey : thus you r nose
can t aga n pa n f u .
Thank you .
350
00:24:29:280 -- 00:24:33:280
you wan t the one-s tep one s tep .
am unders tand .
351
00:24:33:280 -- 00:24:36:280
he s cer ta n y the mee t ng
o f . Have theclek ch reason
352
00:24:36:280 -- 00:24:40:280
c ose the onese f : d scover
the onese f : e t you do no t
need to beclek b j ec ted to hu r t
353
00:24:40:280 -- 00:24:42:280
as f or pro f ound to see the . ..
354
00:24:42:280 -- 00:24:45:280
become a k nd o f spec a pu rpose
become a k nd o f spec a pu rpose
355
00:24:45:280 -- 00:24:49:280
the a f f a r tha t you say
he re tu rn un n teres ted
356
00:24:49:280 -- 00:24:53:280
you wan t to be a the way
and up to accompany the he
go to Ca f orn a?
357
00:24:53:280 -- 00:24:57:239
mus t go to a p ace .
Sor ry . Thank you .
358
00:25:06:280 -- 00:25:08:280
become a k nd o f spec a pu rpose
wha t ma t ter?
359
00:25:08:280 -- 00:25:11:280
even ng good . Execuse me :
you are ook ng f or to g ve
the ra t o . Fer t e be w ng to ?
360
00:25:11:280 -- 00:25:13:280
become a k nd o f spec a pu rpose
who ask?
361
00:25:13:280 -- 00:25:16:280
am the c o th :
have the very b g n teres t
362
00:25:16:280 -- 00:25:20:239
become a k nd o f spec a pu rpose
you r son wen t home
363
00:25:22:280 -- 00:25:26:280
can bo ther once?
come n a t once .
364
00:25:26:280 -- 00:25:28:236
can bo ther once?
come n a t once .
365
00:25:30:280 -- 00:25:32:236
see s who?
366
00:25:33:280 -- 00:25:37:280
f you w go to Manha t tan :
you have to tu rn over more
th s moun ta n
367
00:25:37:280 -- 00:25:40:280
: see to grow much s t rong so d
368
00:25:40:280 -- 00:25:42:280
g ve the ra t o : g ve you
f a ther bea t a ma am
369
00:25:42:280 -- 00:25:45:280
: am very happy tha t you wou d come :
rea y th nk o f you
370
00:25:45:280 -- 00:25:49:239
you s t know tha t eave wha t :
s she my mo ther?
371
00:25:50:280 -- 00:25:54:280
f org ve my behav or
372
00:25:54:280 -- 00:25:56:280
you shu t up !
373
00:25:56:280 -- 00:25:58:236
: g ve the ra t o !
374
00:25:59:280 -- 00:26:00:280
wha t s the ma t ter w th you?
375
00:26:00:280 -- 00:26:02:280
come to my here
376
00:26:02:280 -- 00:26:03:280
do you no t ke?
377
00:26:03:280 -- 00:26:07:239
you ke o f . Shu t up !
378
00:26:08:280 -- 00:26:10:236
ge t up !
379
00:26:16:280 -- 00:26:18:280
g ve the ra t o?
380
00:26:18:280 -- 00:26:20:236
dear?
381
00:26:33:280 -- 00:26:37:239
pu t th s guy f rs t on the s too
382
00:26:40:280 -- 00:26:43:280
: damn o f g ve the ra t o .
383
00:26:43:280 -- 00:26:45:236
f nd to seek h m
384
00:27:00:280 -- 00:27:03:280
rea y s my wrong
385
00:27:03:280 -- 00:27:07:239
you never te me why no t go home
386
00:27:10:280 -- 00:27:12:236
you wan t to go to where?
387
00:27:33:280 -- 00:27:37:239
to ea t the break f as t?
388
00:27:46:280 -- 00:27:50:280
you go to d scuss w th h m by you rse f :
s t occupy
389
00:27:50:280 -- 00:27:54:239
even he w no t appear :
bu t s t can t change h s mo ther
clek c de o f o f f ac t
390
00:27:55:280 -- 00:27:57:236
does she comm t clek c de?
391
00:27:58:280 -- 00:28:00:280
yes : checked the wound
392
00:28:00:280 -- 00:28:04:280
g ve the ra t o a t tha t t me a t schoo
393
00:28:04:280 -- 00:28:06:236
: day !
394
00:28:44:280 -- 00:28:47:280
the a f f a r o f these n teres t ngs
s a par t o f th s ove y na t on
395
00:28:47:280 -- 00:28:51:280
so take care o f to open
you r car on y : do no t h s mama
ta k wha t rubb sh
396
00:28:51:280 -- 00:28:55:280
am rea y f avou r tha t
wan ts to he p you
397
00:28:55:280 -- 00:28:59:239
who know you r f e
have no the reason thus
398
00:29:00:280 -- 00:29:04:280
so wan t to t ry to you r
cer ta n ead ng
399
00:29:04:280 -- 00:29:06:280
wha t s tha t?
400
00:29:06:280 -- 00:29:08:280
: no t : abso u te y s no t .
s tha t a po sonous ar t c e?
401
00:29:08:280 -- 00:29:10:280
: no t : abso u te y s no t .
s tha t a po sonous ar t c e?
402
00:29:10:280 -- 00:29:12:280
damn o f !
403
00:29:12:280 -- 00:29:16:280
: no t : abso u te y s no t .
s tha t a po sonous ar t c e?
: no t : you can t do so
404
00:29:16:280 -- 00:29:20:280
you now w you
f rom the
b amed car n tee o f f to go to?
405
00:29:20:280 -- 00:29:22:280
good o f .
406
00:29:22:280 -- 00:29:24:236
have no ma t ter
407
00:29:25:280 -- 00:29:29:239
wha t mean ng does tha t
th ng have to you?
408
00:29:33:280 -- 00:29:36:280
the beverage tha t you wan t .
409
00:29:36:280 -- 00:29:38:280
th s cup co f f ee g ves mo ther
410
00:29:38:280 -- 00:29:42:239
am no t h s mo ther .
411
00:30:36:280 -- 00:30:39:280
d d no t s eep as t n gh t good :
we go to a mo te now
412
00:30:39:280 -- 00:30:41:236
don t go now
413
00:30:55:280 -- 00:30:59:239
s here a cer ta n
used to the mon tor ng th ng?
414
00:31:00:280 -- 00:31:04:239
f ace wha t to pack here
s a ch cken
415
00:31:05:280 -- 00:31:07:236
ch cken?
416
00:31:10:280 -- 00:31:12:236
ma tch the appe t te?
417
00:31:15:280 -- 00:31:17:236
: no t : abso u te y s no t .
s tha t a po sonous ar t c e?
damn o f .
418
00:31:18:280 -- 00:31:22:239
sor ry :
wan t to go to the ba throom
419
00:31:32:280 -- 00:31:36:239
do you th nk tha t there s
snake n th s ne ghborhood?
420
00:31:44:280 -- 00:31:46:236
a ge t away !
421
00:32:06:280 -- 00:32:10:280
you f rom wh ch ane o f?
422
00:32:10:280 -- 00:32:12:280
buy o f
423
00:32:12:280 -- 00:32:15:280
wha t do those wo f s are ca ?
424
00:32:15:280 -- 00:32:17:236
they are hungry
425
00:32:18:280 -- 00:32:20:280
the here s cer ta n y
Amer can nor th
426
00:32:20:280 -- 00:32:23:280
th ck f ores t :
th s s the f e to exper ence
427
00:32:23:280 -- 00:32:27:239
t r a and ou ts de and
s m ar exchanges
428
00:32:28:280 -- 00:32:32:280
they wou d a ways be so crary
429
00:32:32:280 -- 00:32:34:280
re ax . Good o f .
430
00:32:34:280 -- 00:32:37:280
am to say tha t never te you :
however am to know
431
00:32:37:280 -- 00:32:39:236
have no th ng a t a
432
00:32:41:280 -- 00:32:45:239
you th nk wou d f nd ou t tha t
e t you move o f woman?
433
00:32:52:280 -- 00:32:56:239
you have wha t secre t?
434
00:32:58:280 -- 00:33:00:280
have no ma t ter
435
00:33:00:280 -- 00:33:03:280
s j us t a f ac tors
o f c rcums tance
436
00:33:03:280 -- 00:33:06:280
am s t a t me o f t t e g r :
wasclek b j ec ted to f r gh ten bu t
437
00:33:06:280 -- 00:33:09:280
s t the each n gh t s ep t the
438
00:33:09:280 -- 00:33:13:280
the t r a s tens to brea the
the vo ce : hope my paren ts ab ty
f or the sake o f she
go home ear er
439
00:33:13:280 -- 00:33:17:239
bu t f rom tha t herea f ter
d d no t see aga n her
440
00:33:19:280 -- 00:33:21:280
: no t : abso u te y s no t .
f nd ou t th s
441
00:33:21:280 -- 00:33:25:239
s cer ta n y the toy tha t you ke
442
00:33:57:280 -- 00:33:59:280
theclek n has a ready v nged
443
00:33:59:280 -- 00:34:00:280
s tha t a po sonous ar t c e?
hu r ry .
444
00:34:00:280 -- 00:34:02:236
we se t ou t
445
00:34:03:280 -- 00:34:05:280
o therw se we w be a te
f or a week o f
446
00:34:05:280 -- 00:34:07:280
f te tha t you can be you
aga n the te ecommun ca t on
marke t f nds ou t a work
447
00:34:07:280 -- 00:34:10:280
wha t v ewpo n t do you have?
448
00:34:10:280 -- 00:34:14:280
th nk tha t you can ve n
the te ecommun ca t on marke t
449
00:34:14:280 -- 00:34:17:280
you a ways ose the work
450
00:34:17:280 -- 00:34:21:239
wan t to go to Ca f orn a :
my t rue na tu ra f a ther
speaks o f there
451
00:34:22:280 -- 00:34:26:280
f rom now on 1 0 a f ter years
you have to you r f e
wha t v ewpo n t?
452
00:34:26:280 -- 00:34:29:280
probab y n a co or f ee ng s tore work
453
00:34:29:280 -- 00:34:31:280
kep t a dog : have a ch d
454
00:34:31:280 -- 00:34:33:280
ch d !
th s ch d how?
455
00:34:33:280 -- 00:34:36:280
th s ch d how?
wha t mean?
456
00:34:36:280 -- 00:34:40:239
wan t to have more ra t os a t
the work tha t the co or
f ee ng s tore go to work
457
00:34:42:280 -- 00:34:46:280
f you ke the an ma :
you can become an an ma
conserva tor
458
00:34:46:280 -- 00:34:48:236
or f eed the member
wha t mean?
459
00:34:51:280 -- 00:34:53:280
cer ta n y have the secre t
460
00:34:53:280 -- 00:34:55:280
( F rench wha t mean? )
461
00:34:55:280 -- 00:34:57:280
wha t mean?
462
00:34:57:280 -- 00:35:01:239
be you cer ta n y have the secre t
463
00:35:37:280 -- 00:35:40:280
you are a woman s t ma e?
464
00:35:40:280 -- 00:35:44:239
tu rned round to come : t reaclek re
465
00:35:53:280 -- 00:35:57:239
have a k d to ask me j us t now :
how to hand e
466
00:35:58:280 -- 00:36:01:280
as t n gh t cer ta n wha t m s take
467
00:36:01:280 -- 00:36:05:239
e on the ground :
s toge ther w th my son
468
00:36:07:280 -- 00:36:10:280
because he s mposs b e
469
00:36:10:280 -- 00:36:14:239
n f ne can t throw down he gnore
470
00:36:15:280 -- 00:36:16:280
damn !
wha t mean?
471
00:36:16:280 -- 00:36:20:239
do no t know whe ther have h m a
472
00:36:21:280 -- 00:36:23:280
: e tc . .
473
00:36:23:280 -- 00:36:25:280
g ve the ra t o?
474
00:36:25:280 -- 00:36:27:280
g ve the ra t o !
475
00:36:27:280 -- 00:36:31:280
you m nd me
n t roduce to you r new f r end?
476
00:36:31:280 -- 00:36:33:236
te her
477
00:36:35:280 -- 00:36:37:280
good o f : th s s Tay or
478
00:36:37:280 -- 00:36:39:280
very happy unders tand ng you :
Tay or
479
00:36:39:280 -- 00:36:41:280
take p ace wha t?Come over !
480
00:36:41:280 -- 00:36:43:280
you r mo ther s f rs t-c ass
s t n the car we
481
00:36:46:280 -- 00:36:50:239
you had be t ter pu t n the
cus tody o f good the g r o f the
po sonous bad man f e !
482
00:36:51:280 -- 00:36:55:239
you : go to the d n ng
tab e to wa t me
483
00:36:58:280 -- 00:37:02:239
reques t you :
rea y do no t th nk
a t be th s mo ther
484
00:37:21:280 -- 00:37:25:280
dear God :
the w th gra t tude
g ves ou r f ood
485
00:37:25:280 -- 00:37:29:280
reques t you can f nd ou t
no t e t g ve the ra t o to
absorb the po sonous me thod
486
00:37:29:280 -- 00:37:32:280
so he can
work anyp ace
487
00:37:32:280 -- 00:37:34:280
and f nd ou t a good f r end
488
00:37:34:280 -- 00:37:38:280
so even can t f nd ou t h s f a ther :
a so hope comp e te ndependence
o f h s ab ty
489
00:37:38:280 -- 00:37:42:239
amen . Amen . wha t mean?
490
00:37:44:280 -- 00:37:48:239
wan t to re tu rn :
so you have to g ve me USD 1 0
491
00:37:49:280 -- 00:37:53:239
wha t do you th nk to be dry?
492
00:37:55:280 -- 00:37:58:280
you are to a ways
say s my wrong?
493
00:37:58:280 -- 00:38:02:280
s j us t an dea
494
00:38:02:280 -- 00:38:04:280
te you
495
00:38:04:280 -- 00:38:08:280
you can choose own env ronmen t :
s top absorb po son
496
00:38:08:280 -- 00:38:12:280
am to say tha t the . ..
c nch a dea ?
497
00:38:12:280 -- 00:38:14:236
c nch a dea
498
00:38:28:280 -- 00:38:32:280
g ve you a g f t .
499
00:38:32:280 -- 00:38:35:280
thank you : am very the . .. happy .
500
00:38:35:280 -- 00:38:37:236
pu t on .
501
00:38:42:280 -- 00:38:46:239
ook very beau t f u
502
00:38:49:280 -- 00:38:51:236
you had be t ter come n
503
00:38:53:280 -- 00:38:55:280
wha t you know to be
ca ed the danger?
504
00:38:55:280 -- 00:38:57:236
Hey : Hey !
505
00:39:00:280 -- 00:39:03:280
Hey : come n ! grasp
t gh t y t gh t
506
00:39:03:280 -- 00:39:05:280
can you e t me e t go
o f the hear t?
507
00:39:05:280 -- 00:39:09:239
do e t you f ear?
508
00:39:16:280 -- 00:39:18:236
do no t wan t to go to
509
00:39:19:280 -- 00:39:23:034
am very f r gh tened :
have a younger s s ter
n new London
510
00:39:27:280 -- 00:39:31:239
she ac t towards peop e
very ho t ver
511
00:39:32:280 -- 00:39:34:280
so hope tha t you can ke
512
00:39:34:280 -- 00:39:36:236
my mee t ng o f
513
00:39:41:280 -- 00:39:44:280
so the c o th came
514
00:39:44:280 -- 00:39:47:280
am Mary . .
Come n a t once .
515
00:39:47:280 -- 00:39:50:280
ca come over toge ther
the f r end : so as f ar as poss b e
take here as a house
516
00:39:50:280 -- 00:39:54:239
the Hey : Mary : qu ck y come to here :
am see ng you r pho tograph
517
00:39:55:280 -- 00:39:57:280
am very sor ry
518
00:39:57:280 -- 00:39:58:280
need the mee t ng :
you w f ee very n teres t ng
519
00:39:58:280 -- 00:40:00:280
everyone heard good :
th s s the c o th .
520
00:40:00:280 -- 00:40:02:280
th s g ves the ra t o handsome y
521
00:40:02:280 -- 00:40:04:236
you good
522
00:40:06:280 -- 00:40:08:280
s the here wha t s the row?
523
00:40:08:280 -- 00:40:12:239
am hos t here :
th s s the proper ty o f my home
524
00:40:13:280 -- 00:40:16:280
we come f ema e par ty o f ar r ve
a t the f rs t t me
525
00:40:16:280 -- 00:40:20:239
we can f o ow one s
nc na t ons the ground to p ay
526
00:40:24:280 -- 00:40:25:280
we mus t wa k
527
00:40:25:280 -- 00:40:26:280
no t
528
00:40:26:280 -- 00:40:27:280
we s t a shor t wh e : no t good?
529
00:40:27:280 -- 00:40:28:280
no t
530
00:40:28:280 -- 00:40:32:239
she s f r end y :
she ac t ke a f r end
531
00:40:33:280 -- 00:40:35:280
these wen t f e tch f rom the k tchen o f :
come to ea t toge ther?
532
00:40:35:280 -- 00:40:36:280
come : come n
533
00:40:36:280 -- 00:40:37:280
th s s the express ona
oppor tun ty
534
00:40:37:280 -- 00:40:39:236
come
535
00:40:51:280 -- 00:40:54:280
g ve the ra t o and does
no t know who am
536
00:40:54:280 -- 00:40:55:280
you r eg t ma te ch d?
537
00:40:55:280 -- 00:40:59:280
oh : swee t hear t :
have the good th ng to see?
538
00:40:59:280 -- 00:41:02:280
a e ts the person s heavy guy
539
00:41:02:280 -- 00:41:05:280
he s an an among those
am bes t o f f r end
540
00:41:05:280 -- 00:41:07:280
a t the tha t t me : we p ay the
j oy ever and toge ther
541
00:41:07:280 -- 00:41:09:280
we ar r ved the here on same day
542
00:41:09:280 -- 00:41:13:280
we are very happy n there day :
pu the hand o f
543
00:41:13:280 -- 00:41:17:239
George s good co eague who
am f rom crad e to the
grave med um
544
00:41:18:280 -- 00:41:19:280
oh : we j us t th nk ng te you
545
00:41:19:280 -- 00:41:21:280
you r f r end s some to
be shy w th s t rangers
546
00:41:21:280 -- 00:41:25:280
f or my ac t v ty me thod
547
00:41:25:280 -- 00:41:27:280
th nk tha t she s to
come f rom the chu rch
548
00:41:27:280 -- 00:41:30:280
the made a te ephone
ca f or me a f terwards
549
00:41:30:280 -- 00:41:31:280
th s s the a f f a r o f
the as t mon th
550
00:41:31:280 -- 00:41:34:280
th s t r f e . . .
551
00:41:34:280 -- 00:41:36:280
wan t to p ay once?
552
00:41:36:280 -- 00:41:38:280
a t Ho ywood :
do they usua y p ay th s?
553
00:41:38:280 -- 00:41:42:239
shou d some be t ter t r f e
554
00:41:43:280 -- 00:41:46:280
why th s card as t guy
no t d s t ngu sh ana yse the sex?
555
00:41:46:280 -- 00:41:49:280
am a women ever :
take now f or a men
556
00:41:49:280 -- 00:41:53:239
have more cho ces on the
danc ng par ty thus
557
00:41:54:280 -- 00:41:57:280
s th s a rea man?
558
00:41:57:280 -- 00:42:01:280
we d d a mon th
559
00:42:01:280 -- 00:42:03:280
thus does the a f f a r
s probab y some?
560
00:42:03:280 -- 00:42:06:280
s t a te y o f ma t ter
561
00:42:06:280 -- 00:42:10:280
they are qua ty goods a t
reasonab e pr ceses : dear
562
00:42:10:280 -- 00:42:11:280
she s a men
563
00:42:11:280 -- 00:42:12:280
wha t?
564
00:42:12:280 -- 00:42:14:280
become the woman
565
00:42:14:280 -- 00:42:17:280
wa k ou t f rom the mar r age
566
00:42:17:280 -- 00:42:21:239
you w ke to f o ow
them warm and a f f ec t ona te
567
00:42:45:280 -- 00:42:47:236
everyone
568
00:43:15:280 -- 00:43:17:236
sor ry
569
00:43:20:280 -- 00:43:22:280
you can my c o thes
take to come n?
570
00:43:22:280 -- 00:43:26:239
p ease there o f pa j ama
br ng over here
571
00:43:37:280 -- 00:43:40:280
40 c o thes o f the s zes
say f or me a o t too b g
572
00:43:40:280 -- 00:43:42:236
wear the to f t the gram
573
00:43:45:280 -- 00:43:47:280
Luo s ?
574
00:43:47:280 -- 00:43:51:280
wear the to f t the gram
wha t to po n t s the f rs t
to bu t ton up : the second
575
00:43:51:280 -- 00:43:53:280
hear the : am very sor ry
576
00:43:53:280 -- 00:43:56:280
because o f these . . .
wan t to take a ba th
577
00:43:56:280 -- 00:43:58:236
wha t
578
00:43:59:280 -- 00:44:02:280
the ha r mean ng s
a t t e b t some assumed th ng
579
00:44:02:280 -- 00:44:06:280
bu t ac tua y s no t
580
00:44:06:280 -- 00:44:08:236
th nk th s very good
581
00:44:10:280 -- 00:44:12:280
the r se guys are a
wear the shoes s t ro o f :
d a ogue?
582
00:44:12:280 -- 00:44:16:280
yes : n some p aces
583
00:44:16:280 -- 00:44:20:239
my mo ther o f my f a ther
d d no t speak these
584
00:44:21:280 -- 00:44:25:280
j us t g ve me money
buy the c o thes . . .
585
00:44:25:280 -- 00:44:27:280
the ch dren s beau t f u c o thes
586
00:44:27:280 -- 00:44:29:280
don t know the pr ce n the s tore
587
00:44:29:280 -- 00:44:32:280
you r mama daddy a so a t
Ca f orn a?
588
00:44:32:280 -- 00:44:36:280
my paren ts d ed
589
00:44:36:280 -- 00:44:39:280
do you ke the shoes?
590
00:44:39:280 -- 00:44:43:239
do no t m nd ts s ty e
whe ther very popu ar :
th nk
591
00:44:48:280 -- 00:44:50:280
s
592
00:44:50:280 -- 00:44:52:280
a so s
593
00:44:52:280 -- 00:44:54:236
good even ng
594
00:44:55:280 -- 00:44:57:236
good even ng
595
00:45:03:280 -- 00:45:04:280
do you ascend the un vers ty
596
00:45:04:280 -- 00:45:05:280
yes
597
00:45:05:280 -- 00:45:06:280
earn some wha t?
598
00:45:06:280 -- 00:45:07:280
a o t o f th ng
599
00:45:07:280 -- 00:45:11:239
among them have var ous
cu tu ra know edge : tera tu re :
s t have the h s tory
600
00:45:15:280 -- 00:45:18:280
n a Por te March
601
00:45:18:280 -- 00:45:22:280
th s p ace s f u
w th f resh f owers :
good- ook ng o f
602
00:45:22:280 -- 00:45:24:280
we are there now
603
00:45:24:280 -- 00:45:28:239
we do no t know any th ng :
n add t on to money
604
00:45:29:280 -- 00:45:31:236
d d no t hear
605
00:45:32:280 -- 00:45:36:280
t can e t the who e a f f a r
sunk deep y among them
606
00:45:36:280 -- 00:45:37:280
we j us t a t ano ther the par t
s n the p cn c now
607
00:45:37:280 -- 00:45:38:280
she bea ts mmed a te y a t there
608
00:45:38:280 -- 00:45:42:280
so some persons ask she do wha t
609
00:45:42:280 -- 00:45:46:280
why she wou d f or a b rd
bu t does the sor row save t a so?
610
00:45:46:280 -- 00:45:48:280
why
611
00:45:48:280 -- 00:45:52:239
do no t know :
bu t f ace to have some
oddness here
612
00:45:53:280 -- 00:45:56:280
do you ke to ea t the
choco a te and cand es?
613
00:45:56:280 -- 00:45:57:280
some ke
614
00:45:57:280 -- 00:46:01:239
be am a ch d o f t me :
a so ke
615
00:46:17:280 -- 00:46:18:280
s you?
616
00:46:18:280 -- 00:46:20:236
d d no t do
617
00:46:22:280 -- 00:46:26:239
the : send you rs
618
00:46:28:280 -- 00:46:29:280
you made the pa n my eye
619
00:46:29:280 -- 00:46:33:239
s t dare?The : know you
620
00:46:34:280 -- 00:46:36:236
s top
621
00:46:38:280 -- 00:46:40:280
rose s wha t
622
00:46:40:280 -- 00:46:42:236
can you dr ve
623
00:46:43:280 -- 00:46:47:239
hope to f nd ou t the
p ace n the be f ore dark
624
00:46:53:280 -- 00:46:57:239
th s s rea y a s en t n gh t :
no t s?
625
00:47:42:280 -- 00:47:44:236
ke
626
00:47:45:280 -- 00:47:47:236
very comf or tab e
627
00:47:50:280 -- 00:47:54:239
have wha t ma t ter?
628
00:48:08:280 -- 00:48:12:239
the here s no t to
smoke the room
629
00:48:25:280 -- 00:48:29:280
New Mex co s wa k ng
to come toward us
630
00:48:29:280 -- 00:48:31:280
can you keep up w th? A en
631
00:48:31:280 -- 00:48:35:239
th s s the top c tha t am s tudy
632
00:48:36:280 -- 00:48:40:239
you know :
soc e ty the assoc a t on wan ts to
depend on the anguage exchanges
633
00:48:42:280 -- 00:48:46:280
. G ve the ra t o says . . .
634
00:48:46:280 -- 00:48:50:239
we j us t th nk ng to where
635
00:48:53:280 -- 00:48:57:239
these th ngs are very cheap :
need USD an on y
636
00:49:00:280 -- 00:49:04:239
they a day ong a
n the here ac t v ty
637
00:49:06:280 -- 00:49:10:280
young person : don t pound thus :
th s s a very ser ous prob em
638
00:49:10:280 -- 00:49:12:280
ho d
639
00:49:12:280 -- 00:49:13:280
madam : are you h s mo ther?
640
00:49:13:280 -- 00:49:16:280
she s no t my mo ther :
she wha t a so s no t
641
00:49:16:280 -- 00:49:19:280
she s no t a rea woman
642
00:49:19:280 -- 00:49:21:280
she s change the : no t s?
643
00:49:21:280 -- 00:49:23:280
no t s?Say
644
00:49:23:280 -- 00:49:25:236
how
645
00:49:30:280 -- 00:49:34:239
do you know?B amed te a f a sehood
646
00:49:36:280 -- 00:49:38:280
you are th nk wha t : madam
647
00:49:38:280 -- 00:49:41:280
j us t because o f
have some person s
m clek nders tand ng to mes
648
00:49:41:280 -- 00:49:44:280
s a te a e?
why wan t to te a e to you
649
00:49:44:280 -- 00:49:46:280
tha t you why no t te
me the t rue f ac ts?
650
00:49:46:280 -- 00:49:47:280
rea unders tand ng o f
you r ab ty ?G ve the
651
00:49:47:280 -- 00:49:49:280
these speak the poss b ty too ear y
652
00:49:49:280 -- 00:49:53:239
tha t do you unders tand me?
653
00:49:57:280 -- 00:49:59:280
you why throw down me here
654
00:49:59:280 -- 00:50:00:280
you th nk tha t wa k
does the re tu rn?
655
00:50:00:280 -- 00:50:04:239
ca po ce to he p
656
00:50:05:280 -- 00:50:07:280
ho d
657
00:50:07:280 -- 00:50:09:280
hear tha t you t ra n n the chu rch
658
00:50:09:280 -- 00:50:13:280
the nex t t me throws down aga n me
659
00:50:13:280 -- 00:50:15:280
so : you th nk you have
the power to say me
660
00:50:15:280 -- 00:50:18:280
be ong to the chu rch on y?
661
00:50:18:280 -- 00:50:21:280
my body perhaps
j us t exper enceclek ccess ve y
a f a se process
662
00:50:21:280 -- 00:50:24:280
bu t my sou have no wrong
663
00:50:24:280 -- 00:50:27:280
God e ts me pass
th s me thod reb r th
664
00:50:27:280 -- 00:50:31:280
s to have the reason :
have no f au t
665
00:50:31:280 -- 00:50:33:280
s she a so a god s generos ty?
666
00:50:33:280 -- 00:50:34:280
you have no r gh t
tha t depr ves t
667
00:50:34:280 -- 00:50:36:280
you see the go on y
668
00:50:36:280 -- 00:50:38:280
s ck
669
00:50:38:280 -- 00:50:42:280
h : can you take my one d s tance?
670
00:50:42:280 -- 00:50:44:280
cer ta n y
671
00:50:44:280 -- 00:50:48:239
we ke the s t ranger
672
00:50:52:280 -- 00:50:53:280
come to 1 ?
673
00:50:53:280 -- 00:50:55:280
no t : don t take ou t
when go by car
674
00:50:55:280 -- 00:50:57:280
you rse f come : do no t m nd
675
00:50:57:280 -- 00:50:59:280
you can t a ways thus
676
00:50:59:280 -- 00:51:00:280
some t gh t : th s s my gra t tude
677
00:51:00:280 -- 00:51:02:236
cer ta n y
678
00:51:12:280 -- 00:51:14:280
embar rassed : do no t smoke o f
679
00:51:14:280 -- 00:51:17:280
clek t to dr ve thus and more
680
00:51:17:280 -- 00:51:19:280
she s 0 . K . ?
681
00:51:19:280 -- 00:51:21:280
she s no t she :
she s d e the person
682
00:51:21:280 -- 00:51:23:236
g ve the ra t o
683
00:51:24:280 -- 00:51:28:280
are you a men?
684
00:51:28:280 -- 00:51:30:280
s a the change come
over o f rea woman
685
00:51:32:280 -- 00:51:34:280
wan t to change ss
686
00:51:34:280 -- 00:51:37:280
n f ac t s to be ong to the f reak
687
00:51:37:280 -- 00:51:39:236
Hey : see
688
00:51:40:280 -- 00:51:41:280
a o t o f soc a phenomena
a have ts h s tory
689
00:51:41:280 -- 00:51:44:280
have the ts own and
spec a hab t
690
00:51:44:280 -- 00:51:46:236
become the person o f s :
the same s ove :
691
00:51:50:280 -- 00:51:51:280
too despa r : very coo
692
00:51:51:280 -- 00:51:53:236
someone wan ted the dead
693
00:51:55:280 -- 00:51:56:280
don t make coo cr t c sm thus
694
00:51:56:280 -- 00:51:58:280
en j oy you rclek n gh t
695
00:51:58:280 -- 00:52:02:280
ask conven en t y once : bro thers :
does she w come toge ther
696
00:52:02:280 -- 00:52:04:236
she w take p eaclek re n o f
697
00:52:05:280 -- 00:52:06:280
come
698
00:52:06:280 -- 00:52:08:280
you are a men
699
00:52:08:280 -- 00:52:09:280
you r two boys go to
700
00:52:09:280 -- 00:52:13:239
am here very good
701
00:52:18:280 -- 00:52:20:280
you a t dry wha t?
702
00:52:20:280 -- 00:52:24:280
w no t don t f o ow the
spac ous p ace o f to sw m
703
00:52:24:280 -- 00:52:26:280
wha t do you are to do?
704
00:52:26:280 -- 00:52:27:280
come to a wa ter n the m ss e
705
00:52:27:280 -- 00:52:28:280
you how to do
706
00:52:28:280 -- 00:52:30:280
c mb up the here
707
00:52:30:280 -- 00:52:31:280
can do a shou ted to j ump up
708
00:52:31:280 -- 00:52:33:280
you come up w th
709
00:52:33:280 -- 00:52:35:236
see the
710
00:52:37:280 -- 00:52:39:236
wha t ma t ter
711
00:52:40:280 -- 00:52:41:280
car ry on the back
a f ter see my
712
00:52:41:280 -- 00:52:45:239
you thus whe ther
re ax very much?
713
00:52:46:280 -- 00:52:48:280
no t : w d e under
the presclek re o f
714
00:52:48:280 -- 00:52:49:280
and very deep acc den t n
715
00:52:49:280 -- 00:52:53:239
n the moon gh t :
w ta k w th my shadow
716
00:53:02:280 -- 00:53:06:280
you s t th nk
can t you become the good man?
717
00:53:06:280 -- 00:53:08:236
why?
718
00:53:09:280 -- 00:53:11:236
make me f ree
719
00:53:15:280 -- 00:53:17:280
you are no t f ree
720
00:53:17:280 -- 00:53:19:236
you are a er
721
00:53:28:280 -- 00:53:29:280
oh : ho d
722
00:53:29:280 -- 00:53:31:280
my day :
723
00:53:31:280 -- 00:53:33:236
damn o f : ho d
724
00:53:36:280 -- 00:53:40:239
my th ng earns to re tu rn there :
good heavens
725
00:53:55:280 -- 00:53:57:280
regre t too a te
726
00:53:57:280 -- 00:54:01:239
we have to th nk a me thod
727
00:54:06:280 -- 00:54:07:280
does clek compare the ady?
728
00:54:08:280 -- 00:54:12:239
do we re- con tac t her?
729
00:54:19:280 -- 00:54:21:236
eave
730
00:55:37:280 -- 00:55:41:239
come to the cup tea good?
731
00:55:54:280 -- 00:55:56:280
we wan t to seek an au tomob e
to ar r ve Los Ange es
732
00:55:56:280 -- 00:55:58:236
the sooner the be t ter
733
00:55:59:280 -- 00:56:01:280
you can a member become among them
734
00:56:01:280 -- 00:56:05:239
can you s t tha t car?
735
00:56:06:280 -- 00:56:10:239
the Hey : the wa ter :
can g ve th s young ady
add some beverage?
736
00:56:33:280 -- 00:56:35:280
do you usua y go to the Un ted
S ta tes to do bus ness?
737
00:56:35:280 -- 00:56:37:280
no t usua y
738
00:56:37:280 -- 00:56:41:239
s t do on th s clek r round ngs
739
00:56:44:280 -- 00:56:45:280
you r clek rname wha t?
740
00:56:45:280 -- 00:56:47:280
exceed the bene f t gram
741
00:56:47:280 -- 00:56:48:280
th s s my mo ther s clek rname
742
00:56:48:280 -- 00:56:52:239
oh ! Have a t t e the
oddness no wonder tha t
743
00:56:53:280 -- 00:56:55:280
have to the Un ted S ta tes here
expor t to have a o t o f goods?
744
00:56:55:280 -- 00:56:57:236
no t : uncer ta n
745
00:57:02:280 -- 00:57:04:280
oh : you came
746
00:57:04:280 -- 00:57:05:280
exceed the bene f t gram :
e t to n t roduce once :
747
00:57:05:280 -- 00:57:06:280
th s s to g ve the ra t o
748
00:57:06:280 -- 00:57:07:280
g ve the ra t o : th s s to
exceed the bene f t gram
749
00:57:07:280 -- 00:57:09:236
n ce to mee t you
750
00:57:10:280 -- 00:57:13:280
s t down to ea t some th ng
751
00:57:13:280 -- 00:57:15:280
g ve the ra t o to f o ow me
wan t to be f oo sh here to
tomor row morn ng
752
00:57:15:280 -- 00:57:16:280
the sec t on compare to
nv te us ton gh t h s there :
how?
753
00:57:16:280 -- 00:57:18:236
good o f
754
00:57:20:280 -- 00:57:24:239
oh : embar rassed : e tc . a shor t wh e
755
00:57:29:280 -- 00:57:33:280
oh : are you do the bad ma t ter?
756
00:57:33:280 -- 00:57:37:239
hear the :
herea f ter do no t do tha t
wha t tha t damn worked
757
00:57:43:280 -- 00:57:45:236
so . . .
758
00:57:47:280 -- 00:57:51:239
you make you r bus ness
expand the who e Mex co
a ?
759
00:57:53:280 -- 00:57:55:236
s t d dn t
760
00:58:01:280 -- 00:58:02:280
too beau t f u
761
00:58:02:280 -- 00:58:04:236
ke
762
00:58:27:280 -- 00:58:29:236
h
763
00:58:35:280 -- 00:58:37:280
come
764
00:58:37:280 -- 00:58:39:236
th s comes f rom 0h o
765
00:59:39:280 -- 00:59:41:236
you s ng very good
766
00:59:44:280 -- 00:59:46:280
the peop e are to ta to
to express the a f f ec t on
767
00:59:46:280 -- 00:59:48:236
do no t be po te
768
01:00:00:280 -- 01:00:02:236
hope s no t .
769
01:00:24:280 -- 01:00:28:239
have a ready s ep t :
guess the on the road :
wha t wou d he take
770
01:00:31:280 -- 01:00:35:280
my ches t s very good .
s two doc tors to j
us t work we o f
771
01:00:35:280 -- 01:00:39:239
make my body and norma person
w thou t d ss m ar ty .
772
01:00:41:280 -- 01:00:45:239
p ay the j oy s f a r :
p ay the j oy s f a r :
773
01:00:53:280 -- 01:00:54:280
do you know how to take
the cowboy ha t?
774
01:00:54:280 -- 01:00:58:280
f you take f oreclek m
exp a n tha t you wased
n Du tch .
775
01:00:58:280 -- 01:01:01:280
f take n the beh nd
exp a n tha t you
d dn t was n Du tch .
776
01:01:01:280 -- 01:01:05:280
f take n the on the s de
exp a n you a t en j oy the f e .
777
01:01:05:280 -- 01:01:08:280
why the cowboy ha t take
the me thod have so many mean ng?
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